Prensa

Academy Museum of Motion Pictures Location Image

Academy Museum of Motion Pictures

Armory Location Image

Armory Center for the Arts

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ArtCenter College of Design

Autry Location Image

Autry Museum of the American West

UCI Beall Location Image

Beall Center for Art + Technology at UC Irvine

Benton Museum Location Image

Benton Museum of Art at Pomona College

Birch Aquarium Location Image

Birch Aquarium at Scripps Institution of Oceanography

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The Brick

The Broad Location Image

The Broad

California African American Museum Location Image

California African American Museum

California Center for the Arts, Escondido Location Image.

California Center for the Arts Escondido

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Caltech

The Center for Land Use Interpretation Location Image

Center for Land Use Interpretation

CSU Dominguez Hills University Art Gallery Location Image

CSU Dominguez Hills University Art Gallery

Crenshaw Dairy Mart - Location Image

Crenshaw Dairy Mart

Crystal Cove Conservancy Location Image

Crystal Cove Conservancy at Crystal Cove State Park

Fowler Museum Location Image

Fowler Museum at UCLA

Fathomers presented at JACCC Location Image

Fathomers presented at Japanese American Cultural & Community Center

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Fulcrum Arts co-presented with Chapman University

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Gallery and The Nest at Geisel Library

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Gallery QI (Qualcomm Institute)

Getty Center Location Image

Getty Center

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Griffith Observatory

Hammer Museum Location Image

Hammer Museum at UCLA

The Huntington Library, Art Museum, and Botanical Gardens Location Image

The Huntington Library, Art Museum, and Botanical Gardens

ICA LA Location Image

Institute of Contemporary Art, Los Angeles

UC Kendall Frost Marsh Reserve 1 Embodied Pacific Location Image

Kendall-Frost Mission Bay Marsh Reserve

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Kidspace

Kosay Kumeyaay Market 1 Embodied Pacific Location Image

Kosay Kumeyaay Market

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La Brea Tar Pits

Partner Locations LA Commons

LA Commons

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Lancaster Museum of Art and History (MOAH)

La Plaza de Cultura y Artes Location Image

LA Plaza de Cultura y Artes

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LACE (Los Angeles Contemporary Exhibitions) Presents at Los Angeles Municipal Art Gallery

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LACMA (Los Angeles County Museum of Art)

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La Jolla Historical Society

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Library Foundation of Los Angeles and Los Angeles Public Library

Partner Locations LACMA Art Tech

LACMA Art + Technology Lab

Charles White Elementary School Gallery

LACMA at Charles White Elementary School Gallery

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Los Angeles Filmforum

Partner Locations Los Angeles Dance Project

L.A. Dance Project

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LA Phil, in partnership with the Los Angeles Master Chorale

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Mandeville Art Gallery at UC San Diego

Mingei International Museum Location Image

Mingei International Museum

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The Museum of Contemporary Art (MOCA)

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Museum of Contemporary Art San Diego

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Museum of Contemporary Art Santa Barbara (MCASB)

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Museum of Jurassic Technology

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MOLAA (Museum of Latin American Art)

The Music Center Location Image

The Music Center

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NASA's Jet Propulsion Laboratory (JPL) and Glendale Library, Arts & Culture presented at Brand Library and Art Center

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Natural History Museum of Los Angeles County

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The New Children's Museum

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Oceanside Museum of Art

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ONE Archives at the USC Libraries presented at the USC Fisher Museum of Art

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Orange County Museum of Art (OCMA)

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OXY ARTS

Pacific Design Center Gallery Location Image.

Pacific Design Center Gallery

Palm Springs Art Museum Location Image

Palm Springs Art Museum

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REDCAT (Roy and Edna Disney | CalArts Theater)

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San Diego Museum of Art

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San Diego Public Library Gallery

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Self Help Graphics & Art presented at Luckman Gallery at Cal State LA

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Skirball Cultural Center

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SCI-Arc (Southern California Institute of Architecture)

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UCLA Art|Sci Center presented at CAP UCLA

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UCR ARTS at UC Riverside

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VAG@SME (Visual Arts Gallery at the Structural and Materials Engineering Building)

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Vincent Price Art Museum at East Los Angeles College

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Wende Museum

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Getty today announced full details of an ambitious slate of programs and events to accompany the more than 70 exhibitions that make up PST ART: Art &amp; Science Collide, offering audiences in Southern California numerous pathways to experience, and participate in, what is now the nation’s largest arts initiative. Events will kick off on September 15 with a free monumental daytime fireworks performance at Los Angeles Memorial Coliseum, entitled WE ARE: Explosion Event for PST ART, by artist Cai Guo-Qiang. 
The wildly diverse programs range from a runway fashion show featuring futuristic creations by Indigenous designers to a commemorative rocket launch of a replica of the Sputnik satellite, from a summit on climate change for high-school activists to the LA Phil and Master Chorale premiere of a multimedia work by Doug Aitken, from participatory workshops on synthetic bioengineering to an evening of deep-space communication hosted by comedian Reggie Watts and organized by NASA’s Jet Propulsion Laboratory (JPL). 
“The dazzling spectrum of programs we’re announcing today will unite audiences in communal experiences across the region, and further animate the thematic exhibitions of Art &amp; Science Collide,” said Katherine E. Fleming, President and CEO of the J. Paul Getty Trust. “Designed for people of all ages and backgrounds, these programs will ensure that everyone can find something in Art &amp; Science Collide to excite, illuminate, and engage.”
 Highlights of the programs include:
Exploring Art &amp; Science for Families
Getty will join with the internationally renowned Edinburgh Science organization to present a free, outdoor PST ART: Art x Science Family Festival at La Brea Tar Pits over the November 9 through 11 holiday weekend. Offering participatory hands-on workshops, roving demonstrations, a full slate of performances, and a celebratory atmosphere with music and food, the outdoor festival will bring the themes of Art &amp; Science Collide to children ages 4 to 14 and their families, with activities that include: 
<ul><li> exploring and imagining distant exoplanets with JPL</li><li>practicing traditional adobe building techniques with Craft Contemporary, and bringing them to life with a giant 3D printer</li><li>performing surgery on life-like anatomical dummies and exploring the history of anatomical drawing</li><li>and listening to Los Angeles band Quetzal
performing Bestiario Musical, its 2014 concept album dedicated to animals in the LA urban landscape</li></ul>
Additional hands-on family activities at the festival will take place at the nearby Academy Museum of Motion Pictures, LACMA, and Craft Contemporary, along with seven exhibitions on display.
Other family-friendly programming will be presented as part of “community hubs” across Los Angeles County during PST ART organized by LA Plaza de Cultura y Artes, Lancaster Museum of Art &amp; History, and LA Commons. In San Diego, the New Children’s Museum will host free family workshops throughout the fall inspired by the writings of Octavia E. Butler.
Looking Into the Future(s) with PST ART
Six leading Indigenous fashion designers—Jason Baerg, Orlando Dugi, Jontay Kahm, Caroline Monnet, Jamie Okuma, and Virgil Ortiz—will present their work on a runway at the Getty Center on September 30. Organized in collaboration with the Autry Museum, the runway show will celebrate the artists’ blend of innovative couture, ancestral knowledge, and future-forward style. This one-night-only event will bring to life looks on view at the Autry Museum’s Art &amp; Science Collide exhibition Future Imaginaries: Indigenous Art, Fashion, Technology. 
The Wende Museum will revisit yesterday’s future on October 4 when it re-creates the event that initiated the Space Age: the launch into orbit of the Soviet Union’s Sputnik on October 4, 1957. Designed and launched by participants in Stanford University’s Student Space Initiative, the satellite, like Sputnik itself, will send data back to Earth, which in this case will include news about Art &amp; Science Collide. 
In conjunction with its exhibition Emergence at the Japanese American Cultural &amp; Community Center, Fathomers will present Henry Tan in a ceremony exploring the possibilities for extending the human lifespan through biotechnology; Corinne Okada Takara
leading workshops about stewarding the planet through synthetic bioengineering; and the AfroRithm Futures Group in an evening of ritual dance that imagines how Black and Indigenous agricultural practices might shape an egalitarian, multi-planetary society.
American Artist joins LACMA Art + Technology Lab on November 3 for an event looking at the legacy of Octavia E. Butler and her 1993 novel Parable of the Sower, which unfolds in the imagined dystopian year of 2024. Drawing parallels between Butler’s fictional US presidential race and the impending real-world election, the event will also feature Amazon Labor Union founder Chris Smalls, planetary geologist Divya M. Persaud, and Rasheedah Phillips of Black Quantum Futurism.
The future of AI and the arts will be the subject of a day-long symposium on September 16 presented by USC Visions &amp; Voices, inspired by Cai Guo-Qiang’s WE ARE: Explosion Event for PST ART. Pop-up film screenings will be held throughout the day, and lunch will be provided by Tigawok, powered by Next Robot AI Cooking Robot.
Ecological Engagements
The skies of Los Angeles will be monitored for air quality by pigeons wearing tiny sensor-equipped backpacks as part of LACE’s re-creation of the late artist Beatriz da Costa’s PIGEONBLOG, first in South LA (October 19) and then in and around Los Feliz (November 16).
In conjunction with its PST ART exhibition Breath(e): Toward Climate and Social Justice, The Hammer will present programs including an event with sculptor and fourth-generation beekeeper Garnett Puett during Bee Week (October 13–20), while Occidental College will open its rarely accessible Moore Lab of Zoology for public tours (October 6), revealing 65,000 rare birds and mammal species.
Self-Help Graphics &amp; Art will co-host monthly Urban Garden Workshops at the Willowbrook Community Garden; Inglewood-based non-profit Crenshaw Dairy Mart will organize workshops and community events around its abolitionist pods: autonomously irrigated, solar-powered gardens in geodesic domes, which serve communities across LA County; and in What Water Wants, Clockshop and artist Rosten Woo will invite Angelenos to walk the L.A. River and reimagine their relationship to water, with a 30-minute audio experience that moves between a guided meditation and a speculative disaster movie. 
Youth climate activists will come together for youth-driven solutions to the climate crisis in the Huntington Library, Art Museum, and Botanical Gardens’ Sustainable CHANGES Youth Summit, and talks, panels, and poetry presented in the Skirball Cultural Center’s UNSCORCHING THE EARTH: Repair through Intersectional Climate Activism.
On Stage with Art &amp; Science Collide
JPL will open the door to deep-space communication in Blended Worlds: An Evening of Art, Science and Theater, a free event hosted at Glendale’s historic Alex Theater by Reggie Watts (October 5); and REDCAT, in collaboration with UCLA's Center for the Art of Performance, will present Live Night: Cruising Bodies, Spirits and Machines at the United Theater on Broadway, featuring experimental performances and installations by rafa esparza, MUXX collective, and a special guest headliner (December 7).
Quantum Vibrations, a free, four-part music series, will be presented in October and November at Debs Park (October 4), the Getty Center (October 17), La Brea Tar Pits (November 9), and the Ebell of Los Angeles (November 17). Artists including Black Quantum Futurism with Nicole Mitchell, Tania Candiani with Rogelio Sosa, Quetzal, and Claire Chase will consider music in scientific contexts and use music to explore topics including nuclear research, desert biomes, speculative world-making, and non-human music makers. 
The practice of field recording—capturing audio outside the studio from sources as varied as underwater sounds, electromagnetic vibrations, or insect activity—will be the focus of LA Phil’s Noon to Midnight festival of new music at Walt Disney Concert Hall (November 16). The 12-hour event, including art installations, food trucks, and a beer garden, will feature well-known and emerging composers, performers, and ensembles and will have as its centerpiece the world premiere of Doug Aitken’s multimedia artwork Lightscape, accompanied by live performances by the LA Phil New Music Group and the Los Angeles Master Chorale. 
 

Showcasing artists whose work reflects both the history of science and cutting-edge research, CaltechLive will present the performance series Opening Doors throughout the run of PST ART. Programs will include the biodrama Tesla: A Radio Play for the Stage by Dan Duling (October 4–6); HUANG YI &amp; KUKA, a series of vignettes between live dancers from Huang Yi Studio and the robot KUKA (October 18–19); a choral concert by Tonality focused on the climate crisis (November 16); and Turing Tests, Apples, and Queens: Collective Storytelling Through Fairy Tales and Artificial Intelligence, an exploration of the life and work of Alan Turing performed by Invertigo Dance Theatre (December 6–7).
PST ART Weekends
Making PST ART a “festival of festivals,” PST ART Weekends will break up the map into regions perfect for exhibition-hopping. These regional weekends will also feature evenings with local vendors, special performances, and DJs selected by global radio platform NTS Radio. Each PST ART Weekend will also celebrate a grassroots environmental group that has inspired some of the work on view in Art &amp; Science Collide. 
Northeast LA &amp; Pasadena (October 4–6): Friday night features a special outdoor performance by Black Quantum Futurism at the Audubon Center at Debs Park, including a hands-on workshop from USAL Project and NTS Radio DJs, while Saturday and Sunday feature more than fifteen partner events in galleries, on stage, and off the LA River. 
West LA to South LA (October 19–20): A day-long Saturday event at Crenshaw Dairy Mart, also featuring special activations by LACE, will be followed by an evening block party at the Wende Museum, with a record store pop-up by In Sheep’s Clothing Hi-Fi, local food trucks, Art &amp; Science Collide programs, and more. 
Orange County &amp; Long Beach (November 2): With an emphasis on the Pacific Ocean and regional waterways, this weekend will feature workshops and events at the Orange County Museum of Art, Oceanside Museum of Art, Crystal Cove State Park, Cal State Dominguez Hills Art Gallery, and Fulcrum Arts at Chapman University, as well as Laguna Art Museum’s 12th
annual Art + Nature initiative. 
Hollywood to Expo Park (November 16–17): PST ART’s unofficial “performance weekend” will include A Day of Quantum Listening with flutist Claire Chase and guests at the Ebell of Los Angeles; performances at Barnsdall Art Park from LA Dance Project, and the opening of NHM Commons at the Natural History Museum. 

San Diego &amp; La Jolla (November 23–24): Balboa Park’s partners (San Diego Museum of Art, Mingei, and ICA San Diego) will co-host a Saturday cross-park activation with music and hands-on workshops. At night, MCA San Diego will stay open late with DJs and drinks.
Downtown LA (December 7–8): REDCAT and UCLA’s Center for the Art of Performance will close out the PST ART Weekends with Live Night: Cruising Bodies, Spirits and Machines. Other programs will take place at the Downtown Public Library, in the laboratory environment built by Fathomers at the Japanese American Cultural &amp; Community Center, and in the galleries at MOCA.
The growing list of programs, including artist talks and exhibition openings, for PST ART: Art &amp; Science Collide is accessible <a href="https://pst.art/en/events">here</a>.
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About PST ART: Art &amp; Science Collide
Southern California’s landmark arts event Pacific Standard Time—now PST ART—returns in September 2024 with more than 70 exhibitions from museums and other institutions across the region, all exploring the intersections of art and science—past, present, and in the imaginable future. Dozens of cultural, scientific, and community organizations will join the latest edition, PST ART: Art &amp; Science Collide, to share groundbreaking research, create indelible experiences for the public, and generate new ways of understanding our complex world. 
 

PST ART: Art &amp; Science Collide follows Pacific Standard Time: LA/LA (September 2017–January 2018) and Pacific Standard Time: Art in L.A. 1945–1980 (October 2011– March 2012). PST ART is presented by Getty. Lead partners are Bank of America, Alicia Miñana &amp; Rob Lovelace, and the Getty Patron Program. Principal partners are Simons Foundation; Eva and Ming Hsieh, Co-Founders of Fulgent Genetics; and Peggy and Andrew Cherng, Co-Chairs and Co-CEOs of Panda Express. For more information about PST ART: Art &amp; Science Collide, please visit: <a href="https://pst.art/">pst.art</a>.
 
Press materials about PST ART in English and Spanish are available <a href="https://finnpartners.ent.box.com/folder/204287473086?s=kdey2nlxi4lk150bq8ufkzsf26eo1att">here</a>. 
 
IMAGES (L to R): 
1. Wake by Jill Johnson and David Poe. Photo by Josh S. Rose. © LA Dance Project.
2. Crenshaw Dairy Mart Weekly Somatics Centering Practice inside the Crenshaw Dairy Mart abolitionist pod (prototype) for the Crenshaw Dairy Mart Fellowship for Abolition and the Advancement of the Creative Economy (CDM-FAACE) Inaugural Cohort 2022–2023. Photographed from left to right: CDM Program Director Vic Quintanar, CDM Co-founder alexandre ali reza dorriz, CDM-FAACE 2022–2023 Inaugural Creative Projects Intern Aiyana Sha’niel, CDM-FAACE 2022–2023 Inaugural Fellow Autumn Breon, CDM-FAACE 2022–2023 Inaugural Fellow Oto-Abasi Attah, CDM-FAACE 2022–2023 Inaugural Program Intern Magic Udeh. 2023. Photographed by Gio Solis. Courtesy of the Crenshaw Dairy Mart.
3. Huang Yi &amp; KUKA by Huang Yi (choreographer, dancer, and robotic programmer). Photo by Summer Yen. © Huang Yi Studio +. 
 
Media Contacts 
Polskin Arts 
Meagan Jones / <a href="mailto:meagan.jones@finnpartners.com">meagan.jones@finnpartners.com</a> / (212) 593-6485 
Ruth Frankel / <a href="mailto:ruth.frankel@finnpartners.com">ruth.frankel@finnpartners.com</a> / (646) 213-7249

GETTY ANNOUNCES PUBLIC PROGRAMS THAT SPAN SOUTHERN CALIFORNIA FOR PST ART: ART & SCIENCE COLLIDE, OPENING SEPTEMBER 15

Getty anuncia programas públicos que abarcan el sur de California para la inauguración de PST ART: El Arte y La Ciencia Colisionan a partir del 15 de septiembre

CAI Press Release Sig Image 7/8/2024

CAI Press Release Image 2 7/8/2024

July 08, 2024 (Los Angeles, CA) — Today Getty announced that PST ART (previously known as Pacific Standard Time) will begin on September 15, 2024, with a newly commissioned, arena-scale daytime fireworks event by Cai Guo-Qiang, the contemporary artist known for larger-than-life outdoor “explosion events.”



Titled WE ARE: Explosion Event for PST ART, the daytime fireworks—a signature form of Cai’s art that uses organic, sustainable pigments and dyes rather than traditional pyrotechnics—are conceived and choreographed by the artist in collaboration with his custom AI model cAI™ (pronounced AI Cai), engaging over one thousand aerial drones. Staged around, above, and inside the historic Los Angeles Memorial Coliseum in collaboration with Getty and the University of Southern California, WE ARE will mark the first expansive daytime firework event featuring drone formation equipped with pyrotechnic products in US history. The event inaugurates this edition of PST ART with a spectacular realization of the initiative’s latest theme, Art &amp; Science Collide, with elements of AI, data science, the cosmos, and technology all at play. Accompanying Cai’s explosion event at the Coliseum will be Cai Guo-Qiang: A Material Odyssey, an exhibition at the USC Pacific Asia Museum based on Getty's extensive scientific research into Cai's gunpowder art.










“Quite literally, WE ARE exemplifies Art &amp; Science Collide,” said Katherine E. Fleming, President and CEO of the J. Paul Getty Trust. “Cai’s work is explosive, expressive, and unprecedented in scale. Lighting up the sky of Los Angeles, this performance will signal PST ART’s potential to reach audiences far and wide.”



To join in celebrating the start of PST ART, the public is invited to experience the monumental, multi-act performance, which will begin at dusk, when nearly ten thousand twinkling mini firework shells installed throughout the seating bowl will transform the Coliseum into a massive matrix of animated fireworks. Custom-developed daytime fireworks and choreographed drones carrying pyrotechnic products will shape the artist’s bursts of colorful explosions into a visual story full of mystery and wonder, igniting the sky with images that showcase AI's revelation of a “heavenly secret” through the reduction of its dimensionality, followed by those recalling the myth of Prometheus’s theft of fire from the gods and suggesting a present-day parallel in the relationship between humanity and AI.








WE ARE was developed by Cai in collaboration with his multi-modal AI model cAI™. Originating from the artist’s AI research starting in 2017, cAI™ deep-learns from Cai’s artworks, archives, and areas of interest. By emulating contemporary and historical figures Cai admires, cAI™ creates distinct personas that engage in dynamic debates, fostering an independent and free community. This time, cAI™ deeply participated in all creative stages of the development of this work, collaboratively exploring the nature of AI, conducting site visits, and undertaking materials research with the artist.





Cai Guo-Qiang expressed, “Today, as humanity grapples with the swift advancement of technologies epitomized by AI, culture and the arts appear particularly powerless. I hope WE ARE will stand as a grand gesture of the art world integrating the virtual with the real in the era of AI, and also as a powerful voice and decisive action in these turbulent times.”



The scale of the performance matches the vast scope of PST ART, which will take place over the course of five months throughout Southern California. Supported by more than $20 million in grants from Getty, dozens of cultural, scientific, and community organizations will present more than 70 deeply researched exhibitions alongside an extraordinary spectrum of public programs about Art &amp; Science Collide, exploring themes that range from biotechnology to sustainable agriculture, from ancient cosmologies to Indigenous sci-fi, and from artificial intelligence to environmental justice.






Cai Guo-Qiang’s performance and exhibition for PST ART are generously supported by Principal Partners Eva and Ming Hsieh, Co-Founders of Fulgent Genetics, Peggy and Andrew Cherng, Co-Chairs and Co-CEOs of Panda Express, and the Getty Patron Program. Major support is provided by Yan Luo, Ellen and Dominic Ng, Haiyan Ren, and Sophia and Anqiang Zhang. Eva Hsieh of the Hsieh Family Foundation and Fulgent Genetics says, “We have long been aware of Getty’s groundbreaking PST initiatives and their unparalleled impact. We are thrilled for an opportunity to help introduce a contemporary visionary like Cai Guo-Qiang to this awe-inspiring  collision of art and science. His extraordinary work uniting themes of technology, creative expression, and AI will ignite a perfect celebration for all of Los Angeles.”








Based on Getty's extensive research into Cai's gunpowder drawings and paintings since 2016, the exhibition Cai Guo-Qiang: A Material Odyssey will almost fill the entire USC Pacific Asia Museum, chronicling Cai Guo-Qiang’s lifelong engagement with pyrotechnics. The exhibition will display a vast selection of the artist’s work as well as scientific imagery to explore the nature of gunpowder, its influence on Cai’s work, and how Cai’s process has evolved over time. Programs accompanying A Material Odyssey will include videos illustrating the making of fireworks, the process of creating gunpowder paintings, interactive displays, and a variety of film screenings and conversations.







“Cai has embraced the use of gunpowder because he wanted to relinquish control over the creation process. No matter how precisely a gunpowder drawing is planned, the results are still unpredictable,” said Rachel Rivenc, lead curator and Head of Conservation and Preservation at Getty Research Institute. “With any artist it is important to understand their materials and process, and with Cai, the materials are so unusual and groundbreaking that getting to know them provides a whole new level of understanding of his work.”





“We are very excited to see Cai Guo-Qiang bring his technical and artistic wizardry to the Coliseum and we appreciate the collaboration with the Getty,” said USC President Carol Folt. “WE ARE fits like a glove with USC’s moonshots. It will help push the frontiers of AI and advanced computing even further—and break new ground in the arts with game-changing technology and science. All of this while feeding the innovative spirit that pulses through our community.”




A public day-long symposium on AI and the arts titled “Beyond the Human?: From the Metaphysical to the Physical” will be held at USC on September 16, 2024. The symposium, presented by USC Arts Now, organized by USC Vice Provost for the Arts Josh Kun and Cai GuoQiang (with additional curation by USC professor Holly Willis), will feature a global roster of distinguished thinkers, artists, filmmakers, performers, and technologists to ask fundamental questions about the metaphysical, the physical, and the category of the human itself, accompanied by robot chefs cooking on-site. The symposium is the first public event of USC Arts Now, the new flagship arts initiative launching this fall.






WE ARE is a free ticketed event, available for booking later this summer. For more details on how to reserve tickets, sign up for the <a href="https://pst.art/newsletter">PST ART mailing list.</a>

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About PST ART: Art &amp; Science Collide
Southern California’s landmark arts event Pacific Standard Time—now PST ART—returns in September 2024 with more than 70 exhibitions from museums and other institutions across the region, all exploring the intersections of art and science—past, present, and in the imaginable future. Dozens of cultural, scientific, and community organizations will join the latest edition, PST ART: Art &amp; Science Collide, to share groundbreaking research, create indelible experiences for the public, and generate new ways of understanding our complex world.





PST ART: Art &amp; Science Collide follows Pacific Standard Time: LA/LA (September 2017–January 2018) and Pacific Standard Time: Art in L.A. 1945–1980 (October 2011– March 2012). PST ART is presented by Getty. Lead partners are Bank of America, Alicia Miñana &amp; Rob Lovelace, and the Getty Patron Program. The principal partner is Simons Foundation. For more information about PST ART: Art &amp; Science Collide, please visit: pst.art. 





About Cai Guo-Qiang
Cai Guo-Qiang (b. 1957, Quanzhou, China) was trained in stage design at the Shanghai Theatre Academy in the early 1980s. From December 1986 to September 1995, he sojourned in Japan. Cai has resided and worked in New York since 1995. Cai has excelled in a broad range of creative mediums, from painting, installation, video art, and performance art, to new technologies such as virtual reality (VR), augmented reality (AR), NFTs, blockchain, and artificial intelligence (AI). Grounded in the conceptual foundations of Eastern philosophy and contemporary social issues, his often-site-specific artworks interpret and respond to the local culture and history, establishing a dialogue between viewers and the larger universe around them. His famed gunpowder paintings, explosion events, and installations are imbued with a force that transcends the two-dimensional plane to oscillate freely between society and nature. Over three decades, Cai has had numerous solo exhibitions in major art museums around the world, including the Metropolitan Museum of Art in New York in 2006, and a retrospective at the Solomon R. Guggenheim Museum in New York in 2008, the latter of which broke the museum’s then-attendance record of a visual art exhibition.













In 2015, Cai realized the explosion event Sky Ladder in his hometown of Quanzhou. The eponymous documentary film, directed by Academy Award winner Kevin MacDonald, was released globally on Netflix. In recent years, Cai embarked on his Individual’s Journey Through Western Art History—a series of exhibitions held in world-renowned museums, including the Pushkin State Museum of Fine Arts, Moscow (2017); Museo del Prado, Madrid (2017); Uffizi Galleries, Florence (2018); National Archaeological Museum of Naples and Pompeii Archaeological Park (2019). In December 2020, on the occasion of the 600th anniversary of the Forbidden City, Cai presented Odyssey and Homecoming, becoming the first contemporary artist to have a solo exhibition at the Palace Museum in Beijing. The following year, Odyssey and Homecoming travelled to the new Jean Nouvel–designed Museum of Art Pudong in Shanghai, as one of the opening exhibitions. Cai has received numerous prestigious awards, including the Golden Lion at the 1999 Venice Biennale, the Hiroshima Art Prize in 2007, and the 2009 Fukuoka Prize. In 2012, he was honored as a Laureate for the prestigious Praemium Imperiale in the painting category. The award recognizes lifetime achievement in the arts across categories not covered by the Nobel Prize. The same year, he was named as one of five artists to receive the first U.S. Department of State Medal of Arts for his outstanding commitment to international cultural exchange. His recent honors include the Barnett and Annalee Newman Foundation Award in 2015, the 7th Isamu Noguchi Award in 2020,  the Rockefeller 3rd Award in 2022, and the 74th Art Encouragement Prize by Japan’s Minister of Education, Culture, Sports, Science, and Technology in 2024. Cai also served as the Director of Visual Effects and Fireworks for the opening and closing ceremonies of the 2008 Beijing Summer Olympics.




















About USC Pacific Asia Museum
An integral part of the University of Southern California, the USC Pacific Asia Museum creates inspiring encounters with the art, history, and culture of Pacific Asia to promote intercultural understanding in the service of elevating our shared sense of humanity. Established in 1971, the museum is one of few U.S. institutions dedicated to the arts and culture of Asia and the Pacific Islands serving the city of Los Angeles and the Greater Southern California region. The museum’s historic building has served as a center for art, culture, and learning in Pasadena since its construction in 1924 by pioneering collector and entrepreneur Grace Nicholson (1877–1948) as her residence and galleries. In its brief history, the museum has organized and presented several groundbreaking exhibitions, including the first North American exhibitions of contemporary Chinese art and the first exhibition of Aboriginal art in the United States. Exhibitions originated by the museum have traveled across the country and internationally. A leader in its academic work and committed to scholarship, USC PAM has produced more than 50 exhibition catalogs. Learn more at pacificasiamuseum.usc.edu.












About the Los Angeles Memorial Coliseum
Often called “The Greatest Stadium in the World,” the Los Angeles Memorial Coliseum is a living memorial to those who served in the U.S. Armed Forces during World War I. The 77,500-capacity stadium was designated a National Historic Landmark in 1984. Home to USC football since 1923, the Coliseum is the only venue to host opening and closing ceremonies and the track and field competition for two Summer Olympics (1932 and 1984) and soon a third (2028). The iconic facility has been home to UCLA Bruins football (1928–81), the Los Angeles Rams (1946–79 and 2016–19), and even the Los Angeles Dodgers (1958–61), among otherteams. It has hosted two Super Bowls, a World Series, six U.S. presidents and dignitaries including Pope John Paul II, Nelson Mandela, and Martin Luther King Jr., and some of the greatest acts in entertainment including Bruce Springsteen, The Rolling Stones, and Drake. A renovation completed in August 2019 prepared the facility for its second century, preserving its history while unveiling the seven-story Scholarship Club Tower, which includes luxury suites, club seats, and a state-of-the-art press box.












The Coliseum is jointly owned by the state, county, and city, and is managed by USC under a longterm lease. Visit lacoliseum.com for a schedule of events and more information.
WE ARE by Cai Guo-Qiang is a Getty commission developed for PST ART: Art &amp; Science Collide.
Media Contacts Polskin Arts Anna Gross / anna.gross@finnpartners.com Meagan Jones / meagan.jones@finnpartners.com

Getty to inaugurate PST ART: Art & Science Collide on September 15 with monumental public daytime fireworks by world-renowned artist Cai Guo-Qiang

2024 年 7 月 8 日(洛杉矶，加州)——盖蒂(Getty)宣布，PST ART(原名“太平洋标准 时间”，Pacific Standard Time/PST)将于 2024 年 9 月 15 日揭幕，带来当代艺术家蔡国强 纵横整座体育场的最新委托白天烟花作品。蔡国强尤其以实现大型户外爆破计划而著称。
白天烟花作为蔡国强标志性艺术形式，使用有机、可持续的颜料和染料，有别于传统烟 花。此次作品名为《WE ARE:为 PST ART 所作爆破计划》，由蔡国强与其量身开发的 人工智能模型 cAITM(读作 AI Cai)共同创意编排，伴随逾一千架无人机参与，在洛杉矶 纪念体育场(Los Angeles Memorial Coliseum)四周、上空及场内自由挥洒，与盖蒂和南 加州大学合作实现，将成为美国史上首次大规模白天烟花及无人机带烟花编队表演。作品 糅合人工智能(AI)、数据科学、宇宙和科技元素，以一场视觉奇观开启 PST ART 的最 新主题“艺术与科学碰撞”。伴随纪念碑体育场的爆破计划，亦将于南加州大学亚太博物馆 (USC Pacific Asia Museum)举办展览“蔡国强:媒材的远行”，呈现盖蒂对蔡国强火药艺 术的深入科学研究。
盖蒂信托基金(J. Paul Getty Trust)主席兼首席执行官 Katherine E. Fleming 表示:“毫 不夸张地说，《WE ARE》充分体现了‘艺术与科学碰撞’的主题。蔡先生的作品具有爆炸 性的表现力，规模前所未有。表演将点亮整个洛杉矶，传递 PST ART 触及远近⺠众的潜 能。”
这场多幕宏大表演邀请⺠众共同体验，庆祝 PST ART 启动。⻩昏时分，遍布观众席的近 万颗闪烁迷你爆花弹，让体育场化身巨大动画烟花矩阵。特别开发的白天烟花和载着烟花 的无人机阵列，将艺术家迸发的彩色爆破构造为充满神秘与神奇的视觉叙事，点亮天空: 一幕幕图景演绎 AI 降维、泄露天机的过程，遥想普罗米修斯从众神手中盗取火种的神 话，亦暗喻今天人类与 AI 的关系。
《WE ARE》由蔡国强与其多模态 AI 模型 cAITM合作实现。cAITM源于艺术家 2017 年起对 AI 的研究，它深度学习蔡国强的作品、档案和兴趣领域，也模拟蔡国强敬仰的古今人 物，打造不同人格、彼此辩论，形成一个独立自由的社区。此次 cAITM深度参与作品所有 创意阶段，与蔡国强共同探索 AI 本质、展开场地考察和材料研究。
蔡国强表示:“今天，人类面对以 AI 为代表的科技日新月异发展，文化艺术显得格外无 力;我期待《WE ARE》能成为艺术在 AI 时代虚实融合的展演，亦是在混沌时代的响亮 发声与行动。” 与表演宏大规模相呼应的是本届 PST ART 历时五个月、辐射南加州各地的活动体量。盖 蒂以逾 2000 万美元支持数十家文化、科学和社区机构，围绕“艺术与科学碰撞”主题，呈 现 70 多场深度研究的展览和丰富公共项⺫，探讨主题从生物技术到可持续农业、从古代 宇宙观到原住⺠科幻、从人工智能到环境正义。
主办方衷心感谢首席合作伙伴:Fulgent Genetics 联合创始人 Eva Hsieh 与 Ming Hsieh、 Panda Express 联合主席、CEO Peggy Cherng 与 Andrew Cherng，与盖蒂捐赠者项⺫ (Getty Patron Program)的慷慨支持;亦感激罗燕女士、吴建⺠夫妇、任海燕女士，与章 安强夫妇等重要支持者的鼎力协助。
来自谢明家族基金会与 Fulgent Genetics 的 Eva Hsieh 女士表示:“我们一直了解盖蒂开创 性的 PST 计划及其无与伦比的影响力。很高兴有机会帮助将蔡国强这样的当代创想者引 入这次令人惊叹的艺术与科学碰撞中。他非凡的作品结合科技、创意表达与人工智能，将 为整个洛杉矶引爆一场完美盛宴。” 展览“蔡国强:媒材的远行”源自盖蒂 2016 年以来对蔡国强火药作品的深入研究，将辐射 几乎整座南加州大学亚太博物馆，展示蔡国强⻓年与火药的交融。展览精选呈现大量蔡 国强作品与科学图像，探索火药的本质、对蔡国强作品的影响，和他逐渐发展的创作过 程。展览相关活动包括展示烟花弹制作和火药画创作过程的系列视频，多个互动展示，以 及系列放映与对谈。
“媒材的远行”主策展人、盖蒂研究院保护与修复部主管 Rachel Rivenc 表示:“蔡先生积极 使用火药，是因为他追求创作过程的失控。无论前期多么精确规划一件草图，爆破后的结 果都无法预测。对任何艺术家来说，了解他们的创作媒材与过程都很重要;对蔡先生来 说，他的媒材如此独具颠覆性，了解它们会让你对他的作品有全新维度的理解。”
南加州大学校⻓ Carol Folt 表示:“此次蔡国强将他的技术与艺术创意魔法带来纪念碑体 育场，我们无比激动，也感谢与盖蒂的合作。《WE ARE》完美契合南加大的雄心。它让 AI 与高级计算的前沿探索更进一步，以颠覆性的科技在艺术领域开辟新天地，激发我们 社区中脉动的创新精神。”
2024 年 9 月 16 日，南加州大学将举办为期一天的 AI 和艺术主题公共研讨会《人类之 外:从形而上到形而下》，由南加大 USC Arts Now 主办，南加大艺术副教务⻓ Josh Kun 与蔡国强联合策划(南加大教授 Holly Willis 亦有参与)。研讨会将汇聚来自全球的杰出 思想家、艺术家、电影制作人、表演者与科技专家，探讨形而上、形而下和关乎人类自身 的根本问题，亦有机器人厨师现场烹饪。这将是南加大最新旗舰艺术计划 USC Arts Now 今秋推出的首个公共活动。
《WE ARE》为免费活动，⻔票将于今夏稍后开放预约。现在加入 <a href="https://pst.art/newsletter">PST ART 邮件名单</a>， 了解订票细则。
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关于“PST ART:艺术与科学碰撞”( PST ART: Art &amp; Science Collide) 南加州标志性艺术活动“太平洋标准时间”(PST)——现名 PST ART——将于 2024 年 9 月回归，来自该地域的博物馆和其他机构将推出 70 多个展览，探索古往今来艺术与科学 的交汇。数十家文化、科学和社区机构参与本届“PST ART:艺术与科学碰撞”，分享开创 性的研究，为公众创造难忘体验，也创造理解我们复杂世界的新方式。
“PST ART: 艺术与科学碰撞”是继“PST:拉丁美洲/洛杉矶(Pacific Standard Time: LA/LA)”(2017/9-2018/1)、“PST:1945-1980 年的洛杉矶艺术(Pacific Standard Time: Art in L.A. 1945–1980)”(2011/10-2012/3)之后推出。PST ART 由盖蒂主办。领衔合作 伙伴包括美国银行、Alicia Miñana&amp;Rob Lovelace 以及盖蒂捐赠者计划。首席合作伙伴为 Simons Foundation。更多信息，请访问:<a href="http://pst.art" target="_blank" rel="noreferrer noopener">pst.art</a>。
英文和⻄班牙文媒体材料可<a href="https://finnpartners.ent.box.com/s/kdey2nlxi4lk150bq8ufkzsf26eo1att" target="_blank" rel="noreferrer noopener">在此获取</a>。 
关于蔡国强
1957 年生于福建泉州，80 年代初就读于上海戏剧学院舞台美术系。1986 年 12 月至 1995 年 9 月旅居日本近九年，1995 年移居纽约至今。
蔡国强的艺术横跨绘画、装置、录像，和行为艺术等，亦利用新技术实现作品，包括虚拟 现实(VR)、增强现实(AR)、NFT、区块链，和人工智能(AI)。他以东方哲学及当 代社会问题为作品观念的根基，因地制宜，阐释和回应当地文化历史，为观众与周围更大 的空间构建对话。他著名的火药画、爆破艺术和大型装置充满爆发力，超越平面，在社会 和自然之间自由出入。
三十多年来，蔡国强在世界重要艺术殿堂举办个展，包括 2006 年纽约大都会艺术博物 馆，和 2008 年纽约古根海姆美术馆个人回顾展，后者打破该馆当时视觉艺术个展参观人 数纪录。2015 年，蔡国强在家乡泉州实现爆破项⺫《天梯》，由奥斯卡奖得主凯文·⻨克 唐纳导演的纪录片《天梯:蔡国强的艺术》于 Netflix(⺴⻜)全球发行。
近年来，他开启“一个人的⻄方艺术史之旅”，在世界重要美术馆举办展览，包括国立普希 金造型艺术博物馆(2017，俄罗斯)、普拉多美术馆(2017，⻄班牙)、乌菲⻬美术馆 (2018，意大利)、那不勒斯国家考古博物馆与庞⻉古城(2019，意大利)等。2020 年 12 月，紫禁城建成 600 年之际，蔡国强在北京故宫博物院呈现“远行与归来”，成为故宫 有史以来首个当代艺术家个展。次年，“远行与归来”巡回至让·努维尔先生设计的上海浦 东美术馆，成为开馆展之一。
蔡国强曾获重要奖项包括 1999 年威尼斯双年展国际金狮奖、2007 年干岛艺术奖，和 2009 年福冈亚洲艺术文化奖。2012 年，他获得“高松宫殿下纪念世界文化奖”绘画类奖，该奖 项旨在诺⻉尔奖未涵盖的文化领域表彰为艺术作出重要贡献者。同年，由于他对国际文化 交流的贡献，成为五名获得美国国务院首次颁发的艺术勋章的艺术家之一。近年奖项包括 2015 年美国巴尼特·纽曼基金会奖、2020 年第七届野口勇奖(美国)、2022 年约翰洛克菲 勒三世奖、2024 年第 74 届文部科学大臣奖(日本)。他亦担任 2008 年北京夏季奥运开 闭幕式的核心创意小组成员及视觉艺术总设计、焰火总设计。
关于南加大亚太博物馆(USC Pacific Asia Museum)
作为南加州大学的一部分，亚太博物馆通过创造与亚太地区艺术、历史和文化的相遇，为 观众带来灵感启示，促进跨文化理解，提升我们共同的人性认知。博物馆成立于 1971 年，是美国为数不多致力于亚洲及太平洋岛屿艺术和文化的机构，服务于洛杉矶市及大南 加州地区。博物馆的历史建筑是 1924 年由先锋收藏家和企业家格蕾丝·尼科尔森(1877- 1948)作为其宅邸与展览空间建造，此后一直是帕萨迪纳市的艺术、文化和学习中心。在 其短暂历史中，博物馆策划举办多场开创性的展览，包括北美首个当代中国艺术展和美国 首个原住⺠艺术展。博物馆策划的展览曾在全美甚至国际巡回展出。作为学术工作的领导 者，亚太博物馆致力于学术研究，已出版逾 50 本展览画册。更多信息，请访问 pacificasiamuseum.usc.edu。
关于洛杉矶纪念体育场
被誉为“世界最伟大体育场”的洛杉矶纪念体育场堪称活着的纪念碑，纪念在第一次世界大 战期间为美国武装部队服务的人员。这座可容纳 77500 人的体育场于 1984 年被指定为国 家历史地标。 自 1923 年以来，体育场一直是南加州大学橄榄球队的主场，是唯一一个举办过两届夏季 奥运会开闭幕式和田径比赛(1932 年和 1984 年)，并将在 2028 年举办第三届的场地。 这座标志性的场馆曾是 UCLA 布鲁因斯橄榄球队(1928-1981)、洛杉矶公羊队(1946- 1979 和 2016-2019)以及洛杉矶道奇队(1958-1961)等多个球队主场。亦曾举办两次“超
级碗”、一次美国职业棒球联盟“世界大赛”，以及六位美国总统和教皇约翰保罗二世、曼
德拉和⻢丁·路德·金等多位政要的活动，和布鲁斯·斯普林斯汀、滚石乐队和德雷克等最伟
大娱乐演出。

2019 年 8 月完成的整修工程为这座场馆的第二个百年做好了准备，既保留其历史，亦揭
开七层楼高的“奖学金俱乐部塔楼”的面纱，包括豪华套房、俱乐部席位和最先进的新闻发
布室。

体育场由州、县和市政府共同拥有，由南加州大学根据⻓期租约管理。访问
lacoliseum.com 查看活动时间表和更多信息。

蔡国强《WE ARE》是盖蒂为“PST ART: 艺术与科学碰撞”委托创作的作品。

图片说明: 
《WE ARE:为 PST ART 所作爆破计划》渲染图，2024。蔡工作室提供
蔡国强于横滨美术馆爆破火药画，2015。Kamiyama Yosuke 摄，蔡工作室提供

媒体联络:
 Polskin Arts 
Anna Gross / anna.gross@finnpartners.com  Meagan Jones / meagan.jones@finnpartners.com

盖蒂揭幕“PST ART:艺术与科学碰撞” 9 月 15 日推出国际著名艺术家蔡国强盛大白天烟花公共项⺫    白天烟花糅合艺术愿景与前沿科技，在地标洛杉矶纪念体育场上演壮丽奇观

LACE P1 Signature Image - (un)disciplined

The Huntington P1 Signature Image - Storm Cloud

Oceanside Museum of Art P1 Signature Image - Transformative Currents

Los Angeles, CA, April 23, 2024—Continuing Earth Day celebrations, Getty today announced the inauguration of a Climate Impact Program for the largest art event in the United States, PST ART (formerly known as Pacific Standard Time). Returning on September 15 with the theme of Art &amp; Science Collide, PST ART brings together more than 60 exhibiting institutions throughout Southern California, offering an opportunity at an unprecedented scale for institutions to build community, unite in climate action, and test and study sustainable exhibition practices while fostering collaboration on minimizing environmental impact within the museum field.






“The effects of climate change are increasingly part of our daily lives, and are all around us,” said Katherine E. Fleming, President and CEO of the J. Paul Getty Trust. “Many of the exhibitions in Art &amp; Science Collide underscore the magnitude of the climate crisis and also the ways we can engage as change-makers. Indeed, the presenting institutions throughout Southern California will bethe proving ground behind the scenes for diverse, data-driven sustainability practices that have the potential to alter the arts and culture sector at large.”





Getty is making the PST ART Climate Impact Program available to all PST ART partners who are presenting exhibitions by offering webinars about local and global efforts to stage art exhibitions more sustainably; direct consulting with experts to help PST ART project teams identify where they can have the most impact; and guidance for organizations as they implement a wide variety of emissions-saving and waste-cutting initiatives. Additionally, the program encourages partner institutions to complete a Climate Impact Report for their PST ART exhibition. This report delves into the environmental footprint of the exhibition, offering a data-driven analysis of emissions from travel and shipping, waste from fabrication and construction, and worker and community engagement. Funded by Getty, the Climate Impact Program is led by LHL Consulting.








“As trusted institutions, museums have the power to support the health and resilience of their communities while showcasing creative climate leadership through thoughtful, responsible exhibition preparation and presentation,” said Laura Lupton, Founder and Principal of LHL Consulting. “PST ART provides a singular framework to help museums build climate fluency; measure, improve, and report their impacts; and work collaboratively to support a healthier, more sustainable region. Getty is creating a model of leadership and cross-sector support in Southern California that can be replicated across the country and around the world.”






In addition to offering trainings on the nuts and bolts of measuring and managing the climate impact of exhibitions, LHL Consulting is leading programming on how to build engagement around climate conscious institutional practices—including fostering buy-in among boards, executive leaders, and colleagues. Organizations participating in the Climate Impact Program have also been provided with opportunities for climate fluency training for their staff, individual consultations to set and meet project based goals, and data-backed recommendations to support meaningful change.



“There has been a growing desire for the art world to take ownership of its impact, and as a result we're seeing more willingness than ever to rethink systems and habits” said Kelsey Shell, Environmental &amp; Sustainability Strategist at MOCA. “The Climate Impact Program has helped bring more people into the conversation, connecting peer organizations around this work. I'm excited to see where this collaboration leads."




Alongside the Climate Impact Program, Getty is also supporting Gallery Climate Coalition to update its carbon calculator, a tool that allows institutions to measure, understand, and reduce carbon emissions related to key areas of impacts in the sector, such as shipping, travel, and materials. The tool will allow organizations to target their actions by measuring environmental impacts, ensuring they can most effectively cut emissions in line with reduction targets.




Under the umbrella of the Climate Impact Program, PST ART projects are:
• Piloting methods to reduce institutional energy use, such as 
o The Museum of Contemporary Art (MOCA) is piloting wider climate control parameters at the Geffen Contemporary for the run of Olafur Eliasson’s PST ART exhibition. This effort aims to reduce building energy use and is supported by the installation of a new Digital Energy Management System.




o The Hammer Museum is piloting the new international Bizot Green Guidelines, expanded climate condition standards for gallery temperature and humidity based on recent conservation research. Adoption of these updated protocols will significantly reduce the Hammer’s HVAC energy use, the largest component of its carbon footprint.



• Planning ahead to reduce impact, such as
o Los Angeles Contemporary Exhibitions (LACE) took advantage of a consolidated ground shipment that came earlier this year for the Frieze LA art fair to transport works for its PST ART exhibition. Too often, special exhibitions have depended upon dedicated shipments for art works, a carbon intensive practice.



o The Museum of Latin American Art (MOLAA) is prioritizing artist residencies, with new artworks created on site in Long Beach to reduce the need for object transportation.

• Thoughtfully approaching exhibition build practices, such as
o The Huntington is including sustainability criteria in its exhibition design, from sourcing green materials for the build to reusing casework and frames for display.

o Fulcrum Arts sourced climate responsible materials for their build out, including choices of plywood, insulation and acoustic dampening products. Getty will extend the reach of this work in 2025 by partnering with Gallery Climate Coalition to present a major conference in Los Angeles on the latest thinking in environmental responsibility for museums and the broader art community. This event will allow museums and galleries in Southern California to not only report on the outcomes of their climate actions for PST ART but also come together with leading experts to generate new ideas to tackle critical environmental issues. The summit will be a landmark event that unites the Southern Californian visual arts community, generating confidence, clarity, and most importantly accelerating urgent and effective climate action.








Exhibitions and Programs Addressing Climate Solutions
More than twenty institutions—nearly one-third of PST ART participants—will present exhibitions and programs for Art &amp; Science Collide centered on the climate crisis and its potential solutions. Tenets of ecofeminism and Indigenous knowledge, speculative insights from science fiction, and discoveries of contemporary science variously inform projects on agriculture and industrialization, forests and oceans, and humans and animals.




Select exhibitions include:
• Plants, Wildlife, and the Natural World
o <a href="https://pst.art/en/exhibitions/ancient-wisdom-for-a-future-ecology">Ancient Wisdom for a Future Ecology: Trees, Time, and Technology</a> at Skirball Cultural Center

o <a href="https://pst.art/en/exhibitions/desert-forest-human-impact-on-joshua-trees-and-their-habitat">Desert Forest: Life with Joshua Trees </a>at the Lancaster Museum of Art and History
o <a href="https://pst.art/en/exhibitions/excavations">Excavations</a> at La Brea Tar Pits
o <a href="https://pst.art/en/exhibitions/from-the-ground-up-nurturing-diversity-in-hostile-environments">From the Ground Up: Nurturing Diversity in Hostile Environments</a> at the Armory Center for the Arts

o <a href="https://pst.art/en/exhibitions/social-forest">Social Forest: Oaks of Tovaangar</a> at the Broad
o <a href="https://pst.art/en/exhibitions/world-without-end-the-george-washington-carver-project">World Without End: The George Washington Carver Project </a>at the California African American Museum

• Climate Solutions
o <a href="https://pst.art/en/exhibitions/breathe-towards-climate-and-social-justice">Breath(e): Toward Climate and Social Justice</a> at the Hammer Museum
o <a href="https://pst.art/en/exhibitions/fire-kinship">Fire Kinship: Southern California Native Ecology and Art</a> at the Fowler Museum at UCLA
o <a href="https://pst.art/en/exhibitions/helen-and-newton-harrison-california-work">Helen and Newton Harrison: California Work</a> at La Jolla Historical Society, California Center for the Arts Escondido, San Diego Public Library Gallery, and Mandeville Art Gallery at UC San Diego


o <a href="https://pst.art/en/exhibitions/life-on-earth-art-and-ecofeminism">Life on Earth: Art and Ecofeminism</a> at LAXART
o <a href="https://pst.art/en/exhibitions/transformative-currents-art-and-action-in-the-pacific-ocean">Transformative Currents: Art and Action in the Pacific Ocean</a> at Oceanside Museum of Art, Orange County Museum of Art, and Crystal Cove Conservancy

o <a href="https://pst.art/en/exhibitions/views-of-planet-city">Views of Planet City</a> presented by SCI-Arc at the Pacific Design Center
• Industrialization and the Environment
o <a href="https://pst.art/en/exhibitions/brackish-water-los-angeles">Brackish Water Los Angeles</a> at CSU Dominguez Hills University Art Gallery
o <a href="https://pst.art/en/exhibitions/sinks-places-we-call-home">Sinks: Places We Call Home</a> presented by Self Help Graphics &amp; Art at Luckman Gallery at Cal State LA

o <a href="https://pst.art/en/exhibitions/storm-cloud">Storm Cloud: Picturing the Origins of Our Climate Crisis</a> at the Huntington Library, Art Museum, and Botanical Gardens

o <a href="https://pst.art/en/exhibitions/we-place-life-at-the-center-situamos-la-vida-en-el-centro">We Place Life at the Center / Situamos la Vida en El Centro</a> at Vincent Price Art Museum
Select programs include:
• A <a href="https://pst.art/search?q=crenshaw+dairy+mart">season of workshops, conversations, and community events</a> from Crenshaw Dairy Mart around its abolitionist pods—autonomously irrigated, solar-powered gardens in geodesic domes, designed by the Inglewood-based arts non-profit to serve communities across LA County.


• A <a href="https://pst.art/en/exhibitions/unscorching-the-earth">program</a> at the Skirball Cultural Center featuring young climate activists, poets, and artists who bring an intersectional approach to combatting the devastating effects of climate change.

• A large-scale <a href="https://pst.art/en/exhibitions/the-huntington-youth-summit">youth summit</a> on sustainability and climate change at The Huntington Library, Art Museum, and Botanical Gardens.

Learn more about PST ART climate action at <a href="https://pst.art/en/climate">pst.art/climate</a>.
###
The PST ART Climate Impact Program is made available by Getty to all PST ART partners presenting exhibitions for Art &amp; Science Collide. The program is led by LHL Consulting, an incubator for ideas that center art, climate, and our collective future. Learn more at <a href="https://climateconsulting.art/">climateconsulting.art.</a>


About PST ART: Art &amp; Science Collide
Southern California’s landmark arts event Pacific Standard Time—now PST ART—returns in September 2024 with more than 60 exhibitions from museums and other institutions across the region, all exploring the intersections of art and science—past, present, and future. Dozens of cultural, scientific, and community organizations will join the latest edition, PST ART: Art &amp; Science Collide, to share groundbreaking research, create indelible experiences for the public, and generate new ways of understanding our complex world.





PST ART: Art &amp; Science Collide follows Pacific Standard Time: LA/LA (September 2017–January 2018) and Pacific Standard Time: Art in L.A. 1945–1980 (October 2011– March 2012). PST ART is presented by Getty. Lead partners are Bank of America, Alicia Miñana &amp; Rob Lovelace, Getty Patron Program. The principal partner is Simons Foundation.  





 Media Contacts





Polskin Arts
Meagan Jones / meagan.jones@finnpartners.com / (212) 593-6485
Ruth Frankel / ruth.frankel@finnpartners.com / (646) 213-7249

Getty inaugurates PST ART Climate Impact Program – A Groundbreaking Collaboration for Climate Action Within the Museum Field

Los Ángeles, CA, 23 de abril de 2024 — Hoy, como parte de las celebraciones del Día de la Tierra, el Getty anunció la inauguración de un Programa de Impacto Climático para el mayor evento de Estados Unidos, PST ART (conocido anteriormente como Pacific Standard Time). Bajo la temática de El arte y la ciencia colisionan, el PST ART regresa el 15 de septiembre para reunir a más de 60 instituciones expositoras en todo el sur de California, una oportunidad única para que las instituciones construyan comunidad, se unan en la acción climática, exploren y estudien prácticas sostenibles de exposición y, al mismo tiempo, fomenten la colaboración para reducir el impacto ambiental en el ámbito de los museos.
"Los efectos del cambio climático son cada vez más evidentes en nuestra vida cotidiana y están presentes en todo nuestro entorno", expresó Katherine E. Fleming, presidenta y directora ejecutiva del J. Paul Getty Trust. "Muchas de las exposiciones en El arte y la ciencia colisionan destacan la magnitud de la crisis climática y también las formas en las que podemos involucrarnos como agentes de cambio. De hecho, las instituciones que se presentan en todo el sur de California serán el campo de prueba tras bambalinas de diversas prácticas sostenibles basadas en datos que tienen el potencial de transformar el sector de las artes y la cultura en general".


El Getty ofrece el Programa de Impacto Climático del PST ART a todos los socios que presentan exposiciones. Esto se lleva a cabo a través de seminarios web que abordan los esfuerzos, tanto locales como globales, para hacer que las exposiciones de arte sean más sostenibles. Además, proporciona consultoría directa con personas expertas para ayudar a los equipos de proyectos del PST ART a identificar áreas donde puedan tener un impacto significativo. También brinda asesoramiento a medida que las organizaciones implementan una variedad de iniciativas para reducir las emisiones y los residuos. Asimismo, el programa alienta a las instituciones asociadas a completar un informe de impacto climático para su exposición en el PST ART. Este informe profundiza en la huella ambiental de la exposición, y ofrece un análisis basado en datos sobre las emisiones generadas por los viajes y los envíos, los residuos producidos durante la fabricación y la construcción, y el compromiso de la comunidad y las personas empleadas. El Programa de Impacto Climático está dirigido por la Consultora LHL y financiado por el Getty. 

"Los museos, como instituciones de confianza, tienen el poder de apoyar la salud y la resiliencia de sus comunidades, a la vez que muestran un liderazgo creativo mediante la preparación y la presentación de exposiciones responsables y bien pensadas", dijo Laura Lupton, fundadora y directora de la Consultora LHL. "El PST ART ofrece un marco singular para ayudar a los museos a desarrollar competencia climática; medir, mejorar e informar sobre sus impactos, y trabajar en colaboración para promover la salud y la sostenibilidad de la región". "El Getty está desarrollando un modelo de liderazgo y colaboración entre diferentes sectores en el sur de California, que puede ser utilizado en todo el país y a nivel global".
Además de ofrecer capacitación sobre los fundamentos de la medición y gestión del impacto climático en las exposiciones, la Consultora LHL está liderando iniciativas para impulsar la adopción de prácticas institucionales respetuosas con el clima, entre las cuales se incluye la participación activa de consejos directivos, líderes ejecutivos y colegas. Las organizaciones que participan en el Programa de Impacto Climático recibieron, además, capacitación en competencia climática para su personal, asesoramiento individual para establecer y alcanzar objetivos basados en proyectos y recomendaciones basadas en datos para impulsar un cambio significativo.
Kelsey Shell, especialista en medioambiente y sostenibilidad del Museo de Arte Contemporáneo de California (MOCA, por sus siglas en inglés), afirmó: "Cada vez es mayor el deseo de que el mundo del arte se haga cargo de su impacto y, como resultado, nuestra disposición a replantearnos sistemas y hábitos está más fuerte que nunca. El Programa de Impacto Climático ha contribuido a que más personas se involucren en la temática y a que organizaciones afines se conecten con este trabajo. Estoy emocionada de ver hacia dónde nos lleva esta colaboración".
Además del Programa de Impacto Climático, el Getty está respaldando a la Coalición Climática de Galerías para mejorar la calculadora de huella de carbono. Esta herramienta ayuda a las instituciones a medir, comprender y reducir las emisiones de carbono asociadas con áreas clave de impacto en el sector, como envíos, viajes y materiales. La herramienta permitirá que las organizaciones puedan dirigir sus acciones midiendo el impacto ambiental, lo cual garantizará la reducción de emisiones de la manera más efectiva, de acuerdo con los objetivos de reducción establecidos.
Dentro del Programa de Impacto Climático, los proyectos del PST ART son los siguientes:
<ul><li>Métodos para poner a prueba y reducir el uso energético institucional, por ejemplo:<ul><li>El Museo de Arte Contemporáneo de California (MOCA) está poniendo a prueba parámetros de control climático más amplios en el Geffen Contemporary para el tiempo que dure la exposición de Olafur Eliasson en el PST ART. Este esfuerzo tiene como objetivo reducir el consumo de energía del edificio y cuenta con el apoyo de la instalación de un nuevo sistema digital de gestión energética.</li><li>El Museo Hammer está poniendo a prueba las nuevas pautas verdes internacionales de Bizot, que se basan en investigaciones recientes sobre conservación y que establecen estándares más amplios para las condiciones climáticas de temperatura y humedad en las galerías. La adopción de estos protocolos actualizados reducirá de manera significativa el uso de energía del Sistema de Calefacción, Ventilación y Aire Acondicionado (HVAC, por sus siglas en inglés) en el Hammer, que es el componente más grande de su huella de carbono.</li></ul></li></ul>
<ul><li>Planificación con antelación para reducir el impacto, por ejemplo:<ul><li>Las Exposiciones Contemporáneas de Los Ángeles (LACE, por sus siglas en inglés) aprovecharon un envío terrestre consolidado a principios de este año con motivo de la feria de arte Frieze LA para transportar obras para su exposición en el PST ART. Con demasiada frecuencia, las exposiciones especiales han dependido de envíos exclusivos para transportar las obras de arte, lo que generaba una considerable huella de carbono.</li><li>El Museo de Arte Latinoamericano (MOLAA, por sus siglas en inglés) está dando prioridad a las residencias de artistas en Long Beach, donde se crean nuevas obras de arte, con el objetivo de evitar la necesidad de transportar objetos.</li></ul></li><li>Prácticas de montaje de exposiciones con un enfoque cuidadoso, por ejemplo:<ul><li>El Huntington está incorporando criterios de sostenibilidad en el diseño de sus exposiciones, desde la búsqueda de materiales ecológicos para la construcción hasta la reutilización de muebles y marcos.</li><li>Fulcrum Arts optó por utilizar materiales ecológicos en la construcción, como madera contrachapada, aislamiento y productos para el amortiguamiento acústico.</li></ul></li></ul>
El Getty ampliará el alcance de este trabajo en 2025, ya que se asociará con la Coalición Climática de Galerías, a fin de presentar una importante conferencia en Los Ángeles sobre las últimas tendencias en responsabilidad ambiental para los museos y la comunidad artística en general. Este evento permitirá a museos y galerías del sur de California no solo informar sobre los resultados de sus acciones climáticas en el PST ART, sino también reunirse con líderes expertos para desarrollar nuevas ideas destinadas a abordar problemas ambientales críticos. La cumbre será un evento histórico que reunirá a la comunidad de artes visuales del sur de California, y promoverá confianza, claridad y, sobre todo, impulsará acciones climáticas urgentes y eficaces.
Las exposiciones y los programas que abordan soluciones climáticas 

Más de veinte instituciones, lo que equivale a casi un tercio de las que participan en el PST ART, presentarán exposiciones y programas bajo la temática de El arte y la ciencia colisionan
y se enfocarán en la crisis climática y las posibles soluciones. Los fundamentos del ecofeminismo y la sabiduría indígena, junto con las especulaciones de la ciencia ficción y los descubrimientos de la ciencia contemporánea, tienen un impacto variado en proyectos que abordan la agricultura, la industrialización, los bosques, los océanos y las relaciones entre humanos y animales.
Dentro de las exposiciones seleccionadas, están las siguientes:
Plantas, vida silvestre y mundo natural 

<ul><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-t/">Sabiduría antigua para una ecología futura: árboles, tiempo y tecnología</a> en el Centro Cultural Skirball (Skirball Cultural Center)</li><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-i/">Bosque desértico: la vida con los árboles de Josué</a> en el Museo de Arte e Historia de Lancaster (Lancaster Museum of Art and History)</li><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-d/">Las excavaciones</a> en los Pozos de asfalto de La Brea (La Brea Tar Pits)</li><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-h/">Desde los cimientos: cultivar la diversidad en entornos hostiles</a> en el Centro Armory para las Artes (Armory Center for the Arts)</li><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-k/">El bosque social: los robles de Tovaangar</a> en el museo The Broad</li><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-u/">Mundo sin fin: el proyecto George Washington Carver</a> en el Museo Afroamericano de California (California African American Museum)</li></ul>
Soluciones climáticas 

<ul><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-o/">El respir(o): hacia la justicia climática y social</a> en el Museo Hammer</li><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-b/">El parentesco del fuego: la ecología y el arte nativo del sur de California</a> en el Museo Fowler de la Universidad de California en Los Ángeles (UCLA, por sus siglas en inglés)</li><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-n/">Helen y Newton Harrison: el trabajo en California</a> en la Sociedad Histórica de La Jolla, el Centro para las Artes de California en Escondido (Center for the Arts, Escondido), la Galería de la Biblioteca Pública de San Diego (San Diego Public Library Gallery) y la Galería de Arte Mandeville (Mandeville Art Gallery) de la Universidad de California en San Diego</li><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-p/">Vida en la Tierra: arte y ecofeminismo</a> en la galería LAXART</li><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-x/">Corrientes transformadoras: arte y acción en el Océano Pacífico</a> en el Museo de Arte de Oceanside (Oceanside Museum of Art), el Museo de Arte del Condado de Orange (Orange County Museum of Art) y la Conservación de Crystal Cove (Crystal Cove Conservancy)</li><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-m/">Vistas de Planet City</a> presentado por el Instituto de Arquitectura del Sur de California (SCI-Arc, por sus siglas en inglés) en el Centro para el Diseño del Pacífico (Pacific Design Center)</li></ul>
Industrialización y medioambiente 

<ul><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-c/">Agua salobre de Los Angeles</a> en la Galería de Arte de la Universidad Estatal de California en Dominguez Hills (CSU Dominguez Hills University Art Gallery)</li></ul>

<ul><li>o <a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-q/">Lugares de arraigo: nuestros hogares</a> presentado por Gráficos y Arte de Autoayuda (Self Help Graphics &amp; Art) en la Galería Luckman de la Universidad Estatal de California de Los Ángeles (Cal State LA, por sus siglas en inglés)</li><li>o <a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-a/">La nube de tormenta: imagen de los orígenes de nuestra crisis climática</a>
en la La Biblioteca Huntington (Huntington Library), el Museo de Arte (Art Museum) y el Jardín Botánico (Botanical Garden)</li><li><a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-f/">Situamos la Vida en El Centro</a> en el Museo de Arte Vincent Price (Vincent Price Art Museum)</li></ul>
Dentro de los programas seleccionados, están los siguientes:
<ul><li>Una <a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-z/">temporada de talleres, conversaciones y eventos comunitarios</a> organizados por Crenshaw Dairy Mart en torno a sus cápsulas abolicionistas —jardines que funcionan con energía solar y se riegan de forma autónoma en domos geodésicos— diseñadas por la organización artística sin fines de lucro con sede en Inglewood para abastecer a comunidades de todo el condado de Los Ángeles</li><li>Un <a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-v/">programa</a> presentado por el Centro Cultural Skirball, en el que participarán jóvenes activistas por el clima, poetas y artistas que aportan un enfoque transversal a la lucha contra los devastadores efectos del cambio climático</li><li>Una <a href="https://cm.finnpartners.com/t/j-i-glyhkjy-l-e/">gran cumbre de la juventud</a> sobre sustentabilidad y cambio climático en la Biblioteca Huntington, el Museo de Arte y el Jardín Botánico</li></ul>
Para más información sobre la acción climática del PST ART, visite <a href="http://pst.art/climate">pst.art/climate</a>.
###
Getty ofrece el Programa de Impacto Climático de PST ART a todos los socios que presentan exposiciones para El arte y la ciencia colisionan. El programa está dirigido por la Consultora LHL, un espacio para el desarrollo de ideas que prioriza el arte, el clima y nuestro futuro en común. Más información en <a href="https://climateconsulting.art/">climateconsulting.art</a>.
Acerca de PST ART: El arte y la ciencia colisionan
El evento de arte insignia del sur de California, Pacific Standard Time (ahora, PST ART), regresa en septiembre de 2024 con más de 60 exposiciones de museos y otras instituciones de la región, todas ellas dedicadas a explorar las intersecciones entre el arte y la ciencia, tanto pasadas como presentes y futuras. Decenas de organizaciones culturales, científicas y comunitarias se unirán a la última edición, PST ART: El arte y la ciencia colisionan, para compartir investigaciones innovadoras, crear experiencias imborrables para el público y generar nuevas formas de entender nuestro complejo mundo.
PST ART: El arte y la ciencia colisionan es la continuación de Pacific standard Time: LA/LA (de septiembre de 2017 a enero de 2018) y Pacific Standard Time: Art in L.A. 1945-1980 (de octubre de 2011 a marzo de 2012). PST ART está presentado por Getty. Los principales socios de PST ART son Bank of America, Alicia Miñana y Rob Lovelace y el Programa Benefactor de Getty (Getty Patron Program). El socio principal es la Simons Foundation. Para obtener más información sobre PST ART: El arte y la ciencia colisionan, visite: <a href="https://pst.art/">pst.art</a>.
Material de prensa disponible en inglés y en español <a href="https://finnpartners.ent.box.com/folder/204287473086?s=kdey2nlxi4lk150bq8ufkzsf26eo1att">aquí</a>. Contacto para medios de comunicación: 



Polskin Arts
Meagan Jones / <a href="mailto:meagan.jones@finnpartners.com">meagan.jones@finnpartners.com</a> / (212) 593-6485 Ruth Frankel / <a href="mailto:ruth.frankel@finnpartners.com">ruth.frankel@finnpartners.com</a> / (646) 213-7249

Getty inaugura el programa de impacto climático de PST ART, una colaboración innovadora que promueve la acción climática en el ámbito de los museos

Night Gallery Signature Image

VSF Signature Image

Los Angeles, CA, February 27, 2024 – Getty today announced that more than 40 art galleries in Los Angeles and throughout Southern California have joined the Participating Gallery Program of PST ART: Art &amp; Science Collide, the expansive collaborative event that will begin on September 15, 2024. In this third edition of PST ART—formerly known as Pacific Standard Time—dozens of museums, scientific institutions, and performing arts organizations will offer a multidisciplinary and multifaceted exploration of the intersections of art and science. Their exhibitions and programs, on view over the course of five months, will be amplified by the presentations of the galleries in this third iteration of PST ART’s Participating Gallery Program.

Participating galleries in Downtown Los Angeles, Culver City, Santa Monica, Hollywood, West Hollywood, and beyond will offer group and solo exhibitions, artist-curated projects, and installations featuring a diverse array of contemporary artists. Throughout the duration of Art &amp; Science Collide, a vibrant cross-section of rising and established galleries will present works that explore urgent topics ranging from climate change and environmental justice to the future of artificial intelligence and alternative medicine.


Katherine E. Fleming, President of the J. Paul Getty Trust, said, “Come September, we want to see the confluence of art and science explored in every corner of Southern California’s creative communities. The Participating Gallery Program is an essential element of this vision and an important part of PST ART’s constellation of offerings. Galleries are a vital part of the art and culture ecosystem across the region, and their shows will pose more questions, offer more hypotheses, and unearth more discoveries from some of the brightest and most thought-provoking artists working today.”

“PST ART is an initiative that is historically much overdue, and I could not be more thrilled to contribute to the conversation,” said Esther Kim Varet, founder of Los Angeles-based gallery Various Small Fires. “Our generation, faced with the existential threat of our planet’s sixth extinction, feels impelled to rethink and reframe our entire relationship to art. There has been no goal more ambitious than the Getty’s aim to rewrite art history through the pertinent topic of art and science.”

Exhibitions will include a reexamination of Jeffrey Deitch’s prescient 1992 exhibition Post Human; a presentation of Betye Saar’s monumental altar assemblage Mojotech (1987) at Roberts Projects; and, at Various Small Fires, an exhibition dedicated to Newton and Helen Mayer Harrison, whose work imagined possibilities for ecological repair. Solo artist exhibitions include Elise Rasmussen at Night Gallery and Torkwase Dyson at Pace Gallery, among many others.

A full program will be announced in the coming months.

Participating galleries include:

1301PE
bG Gallery
BLUM
Château Shatto
Chris Sharp Gallery
Cirrus Gallery &amp; Cirrus Editions ltd.
Commonwealth and Council
Craig Krull Gallery
David Kordansky Gallery
David Zwirner
EASTERN PROJECTS
Gallery Luisotti
Gemini G.E.L.
Harkawik
Hauser &amp; Wirth
Honor Fraser Gallery
Jeffrey Deitch
LA Louver
Lisson Gallery
Lois Lambert Gallery
Louis Stern Fine Arts
Luis De Jesus Los Angeles
Marc Selwyn Fine Art
Marian Goodman Gallery Los Angeles
Marshall Gallery
Michael Kohn Gallery
Mixografía
Morán Morán
Nicodim
Night Gallery
Nino Mier Gallery
Pace Gallery
Philip Martin Gallery and Parker Gallery
Rele
ROBERT BERMAN
Roberts Projects
ROSEGALLERY
STARS
The Box LA
The Loft at Liz’s Fine Art Gallery &amp; Liz’s Antique Hardware
Track 16
Various Small Fires
William Turner Gallery


Complete information about participating galleries, exhibitions, and schedules will be available online at pst.art later this year.

# # #

 About PST ART: Art &amp; Science Collide
Southern California’s landmark arts event Pacific Standard Time—now PST ART—returns in September 2024 with more than 60 exhibitions from museums and other institutions across the region, all exploring the intersections of art and science—past, present, and future. Dozens of cultural, scientific, and community organizations will join the latest edition, PST ART: Art &amp; Science Collide, to share groundbreaking research, create indelible experiences for the public, and generate new ways of understanding our complex world. Art &amp; Science Collide follows Pacific Standard Time: LA/LA (September 2017 to January 2018), which presented a paradigm-shifting examination of Latin American and Latinx art, and Pacific Standard Time: Art in L.A. 1945–1980 (October 2011 to March 2012), which rewrote the history of the birth and impact of the LA art scene. PST ART is a Getty initiative. For more information about PST ART: Art &amp; Science Collide, please visit: pst.art






Media Contacts:
Polskin Arts
Meagan Jones / meagan.jones@finnpartners.com / (212) 593-6485
Ruth Frankel / ruth.frankel@finnpartners.com / (646) 213-7249

MORE THAN 40 GALLERIES THROUGHOUT GREATER LOS ANGELES  JOIN THE PARTICIPATING GALLERY PROGRAM FOR  PST ART: ART & SCIENCE COLLIDE

Los Ángeles, CA, 27 de febrero de 2024 – Getty anunció hoy que más de 40 galerías de arte en Los Ángeles y en todo el sur de California se han unido al Programa de Galerías Participantes de PST ART: El arte y la ciencia colisionan, el enorme evento colaborativo que comenzará el 15 de septiembre de 2024. En esta tercera edición de PST ART—anteriormente conocida como Pacific Standard Time— docenas de museos, instituciones científicas y organizaciones de artes escénicas ofrecerán una exploración multidisciplinaria y multifacética de las intersecciones entre el arte y la ciencia. Las exposiciones y los programas, disponibles durante un período de cinco meses, se complementarán con las presentaciones de las galerías en esta tercera edición del Programa de Galerías Participantes de PST ART.

Las galerías participantes en el centro de Los Ángeles, Culver City, Santa Mónica, Hollywood, West Hollywood y otras áreas ofrecerán exposiciones grupales e individuales, así como proyectos curados por artistas e instalaciones que presentarán a una amplia variedad de artistas contemporáneos. Durante todo el tiempo que se extienda El arte y la ciencia colisionan, una vibrante selección de galerías emergentes y establecidas presentarán obras que exploran temas urgentes, que van desde el cambio climático y la justicia ambiental hasta el futuro de la inteligencia artificial y la medicina alternativa.

Katherine E. Fleming, presidenta del J. Paul Getty Trust, expresó: "Para septiembre, queremos ver la confluencia del arte y la ciencia explorada en cada rincón de las comunidades creativas del sur de California. El Programa de Galerías Participantes es un elemento esencial de esta visión y una parte importante de la constelación de ofertas de PST ART. Las galerías son una parte vital del ecosistema artístico y cultural en toda la región, y sus exposiciones plantearán más preguntas, ofrecerán más hipótesis y descubrirán más hallazgos de algunos de los artistas más brillantes y provocadores que trabajan en la actualidad".

"PST ART es una iniciativa históricamente muy esperada, y no podría estar más emocionada de poder aportar a la conversación", dijo Esther Kim Varet, fundadora de la galería Various Small Fires con sede en Los Ángeles. "Nuestra generación, enfrentada a la amenaza existencial de la sexta extinción de nuestro planeta, se siente impulsada a repensar y reformular por completo nuestra relación con el arte. No ha habido un objetivo más ambicioso que el propósito del Getty de reescribir la historia del arte a través de un tema tan relevante como lo es el del arte y la ciencia".

Las exposiciones incluirán una reexaminación de la visionaria exposición de Jeffrey Deitch en 1992 Post Human (Poshumano); una presentación del monumental ensamblaje del altar de Betye Saar Mojotech (1987) (Mojotech [1987]) en Roberts Projects; y, en Various Small Fires, una exposición dedicada a Newton y Helen Mayer Harrison, cuyo trabajo imaginaba posibilidades para la reparación ecológica. Las exposiciones individuales de artistas incluyen a Elise Rasmussen en Night Gallery y a Torkwase Dyson en Pace Gallery, entre muchos otros.

Se anunciará un programa completo en los próximos meses.

Estas son las galerías participantes:

1301PE
bG Gallery
BLUM
Château Shatto
Chris Sharp Gallery
Cirrus Gallery &amp; Cirrus Editions ltd.
Commonwealth and Council
Craig Krull Gallery
David Kordansky Gallery
David Zwirner
EASTERN PROJECTS
Gallery Luisotti
Gemini G.E.L.
Harkawik
Hauser &amp; Wirth
Honor Fraser Gallery
Jeffrey Deitch
LA Louver
Lisson Gallery
Lois Lambert Gallery
Louis Stern Fine Arts
Luis De Jesus Los Angeles
Marc Selwyn Fine Art
Marian Goodman Gallery Los Angeles
Marshall Gallery
Michael Kohn Gallery
Mixografía
Morán Morán
Nicodim
Night Gallery
Nino Mier Gallery
Pace Gallery
Philip Martin Gallery and Parker Gallery
Rele
ROBERT BERMAN
Roberts Projects
ROSEGALLERY
STARS
The Box LA
The Loft at Liz’s Fine Art Gallery &amp; Liz’s Antique Hardware
Track 16
Various Small Fires
William Turner Gallery


Toda la información sobre las galerías participantes, las exposiciones y los horarios estará disponible en línea en pst.art más adelante este año.

# # #

Acerca de PST ART: El arte y la ciencia colisionan
El evento de arte insignia del sur de California, Pacific Standard Time (ahora, PST ART), regresa en septiembre de 2024 con más de 60 exposiciones de museos y otras instituciones de la región, todas ellas dedicadas a explorar las intersecciones entre el arte y la ciencia, tanto pasadas como presentes y futuras. Decenas de organizaciones culturales, científicas y comunitarias se unirán a la última edición, PST ART: El arte y la ciencia colisionan, para compartir investigaciones innovadoras, crear experiencias imborrables para el público y generar nuevas formas de entender nuestro complejo mundo. El arte y la ciencia colisionan es la continuación de Pacific standard Time: LA/LA (de septiembre de 2017 a enero de 2018), que presentó un estudio que cambió el paradigma del arte latinoamericano y latino, y Pacific Standard Time: Art in L.A. 1945-1980 (de octubre de 2011 a marzo de 2012), que reescribió la historia del nacimiento y el impacto de la escena artística de Los Ángeles. PST ART es una iniciativa de Getty. Para obtener más información sobre PST ART: El arte y la ciencia colisionan, visite: pst.art Encuéntrenos en: pst.art Instagram y Twitter: @PSTinLA Facebook: @pacificstandardtime






Contacto para medios de comunicación:
Polskin Arts
Meagan Jones / meagan.jones@finnpartners.com / (212) 593-6485
Ruth Frankel / ruth.frankel@finnpartners.com / (646) 213-7249

MÁS DE 40 GALERÍAS EN EL GRAN LOS ÁNGELES  ÚNASE AL PROGRAMA DE GALERÍAS PARTICIPANTES PARA  PST ART: EL ARTE Y LA CIENCIA COLISIONAN

Academy Museum P1 Signature Image - Cyberpunk

GETTY TO LAUNCH PST ART: ART & SCIENCE COLLIDE   ON SEPTEMBER 15, 2024, ACROSS SOUTHERN CALIFORNIA

VPAM #2

REDCAT P1 Signature Image - All Watched Over by Machines of Loving Grace

MOCA #2

GETTY INAUGURARÁ EL EVENTO PST ART: EL ARTE Y LA CIENCIA COLISIONAN EL 15 DE SEPTIEMBRE DE 2024 EN TODO EL SUR DE CALIFORNIA

QUÉ. El emblemático evento de arte del sur de California, PST ART, conocido anteriormente como Pacific Standard Time, vuelve en septiembre de 2024. Se transformará en el mayor evento artístico de Estados Unidos, con la colaboración de docenas de organizaciones culturales, científicas y comunitarias en PST ART: El arte y la ciencia colisionan para presentar más de 60 exposiciones únicas. Juntas explorarán las fascinantes intersecciones entre el arte y la ciencia, en el pasado, en el presente y en un futuro imaginable, desde la biotecnología hasta la agricultura sustentable, y desde las cosmologías antiguas hasta la ciencia ficción indígena. PST ART también incluirá una sorprendente variedad de programas públicos en todo el sur de California, que irán desde encargos de artes escénicas vanguardistas hasta lanzamientos de cohetes, pasando por proyectos artísticos participativos y animados debates, hasta un festival gratuito de arte y ciencia al aire libre para toda la familia.
DÓNDE. Esta edición de PST ART será la de mayor alcance hasta la fecha, ya que reunirá a instituciones culturales, educativas y científicas, tanto grandes como pequeñas, en todo Los Ángeles y desde San Diego hasta Palm Springs, con el fin de ofrecer un panorama global de la interacción entre el arte y la ciencia. Entre ellas se encuentran instituciones cívicas como el Museo de Arte Contemporáneo de Los Ángeles (LACMA, por sus siglas en inglés), el Museo de Historia Natural del Condado de Los Ángeles (The Natural History Museum of Los Angeles County) y el Museo de Arte de San Diego (San Diego Museum of Art); museos como The Broad y el Museo de Arte Contemporáneo de California (MOCA, por sus siglas en inglés); instituciones académicas como el Instituto Tecnológico de California (California Institute of Technology) y el Instituto de Arquitectura del Sur de California (SCI-Arc, por sus siglas en inglés); museos y galerías afiliados a universidades, como el Museo Hammer de la Universidad de California en Los Ángeles (UCLA, por sus siglas en inglés) y el centro UCR Arts de la Universidad de California en Riverside; organizaciones que trabajan en la convergencia del arte contemporáneo, la ciencia y la educación, como Fathomers y el Centro Beall de Arte y Tecnología (Beall Center for Art + Technology) de la Universidad de California en Irvine; e instituciones científicas de renombre mundial, como el Acuario Birch del Instituto Oceanográfico Scripps (Scripps Institution of Oceanography) y el Laboratorio de Propulsión a Chorro de la NASA; organizaciones de artes escénicas como el L.A. Dance Project, el Centro de Música (Music Center), la Filarmónica de Los Ángeles, el Teatro CalArts Roy y Edna Disney (REDCAT, por sus siglas en inglés) y el centro para Artes Escénicas de la UCLA.

CUÁNDO. Las exposiciones y los programas comenzarán en septiembre de 2024 y continuarán hasta febrero de 2025.
EDICIONES PASADAS DE PST ART: El arte y la ciencia colisionan es la continuación de Pacific standard Time: LA/LA (de septiembre de 2017 a enero de 2018), que presentó un estudio que cambió el paradigma del arte latinoamericano y latino, y Pacific Standard Time: Art in L.A. 1945-1980 (de octubre de 2011 a marzo de 2012), que reescribió la historia del nacimiento y el impacto de la escena artística de Los Ángeles. PST ART es una iniciativa de Getty.
LOS MEDIOS DE COMUNICACIÓN PUEDEN HACER SUS CONSULTAS AQUÍ: Meagan Jones / meagan.jones@finnpartners.com / (212) 593-6485 Ruth Frankel / ruth.frankel@finnpartners.com / (646) 213-7249

El sur de California se convertirá en un importante destino turístico en el otoño de 2024 cuando Getty lance PST ART: El arte y la ciencia colisionan, el proyecto de arte más grande en Estados Unidos.

LA Phil Signature Image

Los Ángeles, 31 de octubre de 2023 — Hoy, Getty anunció que la próxima edición de la colaboración PST ART a nivel regional (anteriormente conocida como Pacific Standard Time) incorporará una sorprendente variedad de programas públicos en todo el sur de California, que abarcarán desde encargos de artes escénicas vanguardistas hasta lanzamientos de cohetes, pasando por proyectos artísticos participativos y debates centrados en la acción hasta un festival gratuito de arte y ciencia al aire libre para la familia, todo esto alrededor de la temática de El arte y la ciencia colisionan.
Desde septiembre de 2024 y durante cinco meses, PST ART: El arte y la ciencia colisionan ofrecerá más de 60 exposiciones, las cuales requirieron mucha investigación y fueron desarrolladas por organizaciones artísticas e instituciones científicas de todo el sur de California, con la participación de más de 800 artistas que amplían sus horizontes mediante la exploración de temas que van desde las cosmologías antiguas hasta la ciencia ficción indígena, y desde la inteligencia artificial hasta la justicia medioambiental. Los nuevos programas públicos organizados por organizaciones asociadas, grupos comunitarios y el propio Getty harán que El arte y la ciencia colisionan no solo sea el proyecto de arte más grande en los Estados Unidos, sino también un modelo innovador para la programación pública a una escala sin precedentes.
Katherine E. Fleming, presidenta y directora ejecutiva del J. Paul Getty Trust, expresó: "Como una colisión productiva que hace girar los objetos en nuevas direcciones, los programas que anunciamos hoy guiarán a las audiencias en dirección a nuevas ideas y encuentros reveladores. Nos enorgullece que Getty esté intensificando las ya excepcionales ambiciones de El arte y la ciencia colisionan, ya que permite que nuestros socios presenten estos programas llenos de vida, participativos y diversos que comenzarán en menos de un año".
Como parte de su importante difusión pública, Getty se unirá a la organización internacionalmente conocida como Edinburgh Science en noviembre de 2024 para presentar un festival familiar gratuito de tres días, el PST ART x Science Family Festival. Con talleres prácticos y participativos, demostraciones itinerantes, un completo programa de espectáculos y un ambiente festivo con música y comida, el festival al aire libre acercará la temática del evento El arte y la ciencia colisionan a niños y niñas de 4 a 14 años y sus familias.
El Dr. Simon Gage, miembro de la Orden del Imperio Británico (OBE, por sus siglas en inglés), presidente y director ejecutivo de Edinburgh Science, expresó: "Es especialmente emocionante para una organización escocesa sumergirse en la intensa creatividad de las comunidades artísticas, científicas y tecnológicas del área metropolitana de Los Ángeles. Estamos encantados de colaborar con Getty y los excepcionales socios del PST ART en la realización del Art x Science Family Festival. Nos une la pasión por organizar eventos interactivos excepcionales y emocionantes que sorprenden y fomentan el aprendizaje y el descubrimiento".
Las nuevas subvenciones anunciadas hoy, que incrementan el apoyo de Getty para El arte y la ciencia colisionan a $19 millones, financiarán docenas de programas públicos atractivos en todo el sur de California organizados por: CaltechLive; Clockshop; Crenshaw Dairy Mart; la Biblioteca, el Museo de Arte y el Jardín botánico Huntington (The Huntington Library, Art Museum, and Botanical Gardens); la organización L.A. Dance Project; el Laboratorio de arte y tecnología del LACMA; la Filarmónica de Los Ángeles; el Centro de Música (Music Center); el Nuevo Museo de los Niños (New Children’s Museum); el Teatro CalArts Roy y Edna Disney (REDCAT, por sus siglas en inglés); el Centro Cultural Skirball (Skirball Cultural Center), y la Universidad del Sur de California.

Entre los programas participativos estará la presentación de The Gift (El regalo) por parte del Music Center, una reflexión sobre la astrofísica en la que una plaza al aire libre se convertirá en una íntima "sala de lectura" llena de música. Los participantes encontrarán un libro ilustrado basado en la investigación de la Dra. Natalie Gosnell, profesora asociada de Física en el Colorado College. Gosnell comentó sobre la colaboración, y afirmó: "La astrofísica es verdaderamente una disciplina narrativa, donde utilizamos pistas recopiladas de telescopios para comprender mejor los objetos en el cielo. Con The Gift (El regalo), mis cocreadores y yo contamos una historia inspirada en mi investigación en astrofísica de una manera que resulta atractiva, acogedora y que entrelaza temas de dolor, pérdida y renovación. Estamos encantados de participar en PST ART: El arte y la ciencia colisionan y de traer The Gift (El regalo) a Los Ángeles".
Tres organizaciones se han unido a Getty como centros comunitarios para El arte y la ciencia colisionan: la Plaza de Cultura y Artes, LA Commons y el Museo de Arte e Historia de Lancaster (Lancaster Museum of Art and History). Para llevar la iniciativa a las comunidades locales, los Centros involucrarán a organizaciones de base popular cercanas, agencias públicas, educadores de las áreas de Ciencia, Tecnología, Ingeniería, Artes y Matemáticas (STEAM, por sus siglas en inglés) y jóvenes creativos para desarrollar y presentar sus propios programas sobre los temas alrededor de El arte y la ciencia colisionan. Se ofrecerán desde talleres de arte hasta proyectos de restauración de hábitats.
Además, se llevarán a cabo otros programas innovadores que ampliarán la difusión en varios lugares, desde San Diego hasta el noreste de Los Ángeles, durante los Fines de Semana de PST ART en el marco de El arte y la ciencia colisionan. Estos eventos respaldados por Getty convertirán a PST ART en un "festival de festivales", que reunirá a instituciones vecinas. Cada fin de semana servirá como un imán para la audiencia, que podrá recorrer las exposiciones, socializar y disfrutar de las presentaciones culminantes programadas por los socios de PST ART para las horas de la noche.
Los programas que inauguran los Fines de Semana de PST ART incluirán una velada en la serie Quantum Vibrations (Vibraciones cuánticas), curada por Josh Kun, profesor en Annenberg School y vicerrector de las Artes en la Universidad del Sur de California (USC, por sus siglas en inglés). "Es un honor volver a trabajar con Getty en el PST ART", dijo Kun. "Mi serie explora la intersección entre el arte y la ciencia a través del trabajo de artistas que reflexionan sobre la música en contextos científicos y la utilizan para plantear problemas científicos sobre cualquier tema, desde la creación de mundos especulativos hasta los creadores no humanos de música y los enfoques cuánticos de la escucha. Me entusiasma especialmente que estos encuentros se lleven a cabo en barrios de toda la ciudad".

Como en ediciones anteriores del PST ART, las galerías en todo Los Ángeles y el sur de California designadas como afiliadas presentarán docenas de exposiciones organizadas de forma independiente sobre el tema de la iniciativa.Tal como se anunció anteriormente, Getty también ha establecido una asociación con Frieze, que refuerza la presencia de El arte y la ciencia colisionan a nivel internacional.
Aspectos destacados de la programación de socios
A partir de septiembre de 2024, el público estará invitado a participar en numerosos eventos y programas públicos organizados por los socios del PST ART, tales como:
Despegando con El arte y la ciencia colisionan
· El Laboratorio de arte y tecnología del LACMA producirá The Monophobic Response (La respuesta monofóbica), de American Artist. La performance hará referencia a las ideas de las novelas Parable (Parábola) de la autora de ciencia ficción Octavia E. Butler para reimaginar una prueba del motor de un cohete que llevó a cabo el precursor del Laboratorio de Propulsión a Chorro de la NASA en el cañón Arroyo Seco en 1936.
· El Museo Wende (The Wende Museum), un museo de arte, centro cultural y archivo de la Guerra Fría, que participa como socio en la exposición El arte y la ciencia colisionan, también ayudará a que la colaboración "despegue" poniendo en órbita una réplica del Sputnik, el primer satélite artificial de la Tierra, el 4 de octubre de 2024, en el 67.º aniversario del lanzamiento que realizó la Unión Soviética. Este ambicioso proyecto performativo sobre la cultura de la ciencia está siendo diseñado y ejecutado por los participantes de la Iniciativa Espacial para Estudiantes de la Universidad de Stanford, bajo el auspicio de Wende y PST ART. Al igual que el propio Sputnik, el satélite de los estudiantes enviará datos de vuelta a la Tierra, e incluirá, en este caso, noticias sobre El arte y la ciencia colisionan.
Traer la ciencia a escena y el arte al observatorio
· Las bases biológicas de la empatía serán la premisa del proyecto Resonance (Resonancia) de L.A. Dance Project, que presenta obras de danza encargadas a destacados coreógrafos contemporáneos en colaboración con investigadores científicos. Cada presentación de Resonance (Resonancia) estará seguida por un debate guiado con la audiencia sobre la empatía y un llamado a la acción en colaboración con una organización comunitaria.

· El Centro de Música (Music Center) presentará el proyecto The Gift (El Regalo), el cual toma ideas complejas de la astrofísica y las traduce en una narración conmovedora y accesible para personas de todas las edades. En este proyecto, una plaza al aire libre se convertirá en íntimas "salas de lectura" que, además, contarán con una partitura musical e intervenciones digitales. The Gift también se montará en el histórico Observatorio del Monte Wilson con vista a Pasadena.
· La práctica de la grabación de campo —hacer grabaciones de audio fuera del estudio a partir de fuentes tan variadas como sonidos submarinos, vibraciones electromagnéticas o la actividad de los insectos— será el tema central del festival de nueva música Noon to Midnight (Desde el mediodía hasta la medianoche) de la Filarmónica de Los Ángeles, que dará vida a cada parte del campus del Walt Disney Concert Hall con instalaciones sonoras y actuaciones en vivo. El evento contará con compositores, intérpretes y grupos, tanto conocidos como emergentes, y culminará con una obra creada por un importante artista multidisciplinario en colaboración con la Filarmónica y el Coro Maestro de Los Ángeles.
Fines de Semana de PST ART desde Montecito Heights hasta South Broadway
· Los Fines de Semana de PST ART comenzarán en octubre de 2024 con una presentación en vivo en Debs Park de Black Quantum Futurism, cofundada por Camae Ayewa (Moor Mother) y Rasheedah Phillips, artistas que están a la vanguardia del futurismo musical negro y la creación de mundos sonoros. Su presentación es parte de Quantum Vibrations (Vibraciones cuánticas), una serie de cuatro partes de presentaciones curadas por Josh Kun, profesor y presidente de Comunicación Intercultural en la Annenberg School de la USC.
· Los Fines de semana de PST ART llegarán a su fin en diciembre de 2024 con Live Night: Cruising Bodies, Spirits, and Machines (Noche en vivo: cuerpos, espíritus y máquinas navegantes), una noche de celebración en el icónico teatro con capacidad para 1,600 personas en el Ace Hotel, copresentada por REDCAT y el centro para las Artes Escénicas de la UCLA (Center for the Art of Performance). Con una variedad de presentaciones experimentales, Live Night (Noche en vivo) se inspira en la exhibición de REDCAT en El arte y la ciencia colisionan, que reimagina la inteligencia artificial desde las perspectivas de indígenas, personas negras y el género no binario.

Alimentación, agua y activismo de base
· Crenshaw Dairy Mart organizará una temporada de talleres, conversaciones y eventos comunitarios en torno a sus cápsulas abolicionistas, jardines que funcionan con energía solar y se riegan de forma autónoma en cúpulas geodésicas, diseñados por la organización artística sin fines de lucro con sede en Inglewood para abastecer a comunidades de todo el condado de Los Ángeles que se ven afectadas por la inseguridad alimentaria, la falta de vivienda y la presencia del complejo industrial penitenciario.
· Clockshop involucrará a comunidades a lo largo del río Los Ángeles en el noreste con talleres de arte, restauración ecológica y experiencias en la naturaleza lideradas por artistas. El objetivo es fomentar la comprensión de las interacciones entre los humanos y el agua en sus propios entornos, desde estacionamientos hasta humedales.
Reuniendo a jóvenes para enfrentar el cambio climático
· El Centro Cultural Skirball (Skirball Cultural Center) presentará un programa en el que participarán jóvenes activistas climáticos, poetas y artistas que aportan un enfoque transversal a la lucha contra los devastadores efectos del cambio climático.
· La Biblioteca Huntington, el Museo de Arte y el Jardín Botánico (The Huntington Library, Art Museum, and Botanical Gardens) serán la sede de una gran cumbre de la juventud sobre sustentabilidad y cambio climático. La cumbre, que reunirá hasta 300 estudiantes de secundaria, se centrará en soluciones impulsadas por jóvenes para la crisis climática.
Podrán encontrar una lista completa de los programas ofrecidos por las doce organizaciones asociadas financiadas por subvenciones y los tres centros comunitarios aquí. Habrá más información sobre los programas cuando se acerque la fecha de inauguración de PST ART: El arte y la ciencia colisionan.
# # #
Acerca de PST ART: El arte y la ciencia colisionan
El evento de arte insignia del sur de California, Pacific Standard Time (ahora, PST ART), regresa en septiembre de 2024 con más de 60 exposiciones de museos y otras instituciones de la región, todas ellas dedicadas a explorar las intersecciones entre el arte y la ciencia, tanto pasadas como presentes. Decenas de organizaciones culturales, científicas y comunitarias se unirán a la última edición, PST ART: El arte y la ciencia colisionan, para compartir investigaciones innovadoras, crear experiencias imborrables para el público y generar nuevas formas de entender nuestro complejo mundo. El arte y la ciencia colisionan es la continuación de Pacific standard Time: LA/LA (de septiembre de 2017 a enero de 2018), que presentó un estudio que cambió el paradigma del arte latinoamericano y latino, y Pacific Standard Time: Art in L.A. 1945-1980 (de octubre de 2011 a marzo de 2012), que reescribió la historia del nacimiento y el impacto de la escena artística de Los Ángeles. PST ART es una iniciativa de Getty. 
Contacto para medios de comunicación:
Polskin Arts Meagan Jones / meagan.jones@finnpartners.com / (212) 593-6485 Ruth Frankel / ruth.frankel@finnpartners.com / (646) 213-7249

Getty anuncia una programación pública sin precedentes en toda la región y aumenta el impacto de docenas de exposiciones en todo el sur de California para PST ART: El arte y la ciencia colisionan

Hammer Museum: ikkibawiKrrr

Seoul, Korea (August 14, 2023) — Today, Frieze revealed details of a new global partnership with Getty, the Los Angeles-based cultural and philanthropic institution, that will be launched in September 2023 at Frieze Seoul and will culminate in September 2024 with the opening of PST ART. Together, the two organisations will collaborate on a series of commissions and events that will amplify the upcoming edition of PST ART: Art &amp; Science Collide, delivering content, programming and experiences across Seoul, London and Los Angeles.





A Getty initiative, PST ART (formerly Pacific Standard Time) brings together museums and institutions across Southern California for one of the most expansive art events in the world. For the 2024 edition, Getty has provided grants to more than 45 organizations, supporting research and planning on a wide variety of exhibitions that will prompt civic dialogue around some of the most urgent issues of our time. Opening September 2024, PST ART: Art &amp; Science Collide will feature more than 818 artists in more than 50 coordinated exhibitions, with project topics ranging from climate change, environmental justice and Indigenous knowledge to artificial intelligence, past and future cosmologies and the frontiers of bioengineering. Ahead of the 2024 edition of PST ART, Frieze and Getty will work together on a year of activity to raise awareness of the global initiative in key international art centres. Launching at Frieze Seoul 2023 with acommission by Korean visual research collective ikkibawiKrrr, the collaboration will then move to Frieze London, with the debut of a new work by Los Angeles-based interdisciplinary artist Candice Lin, before culminating with the opening of PST ART in September 2024. The partnership reflects Frieze and Getty’s shared commitment to championing Southern California’s diverse ecosystem of artists and institutions by providing a platform for international audiences to engage with the region’s rich cultural landscape.














ikkibawiKrrr TO STAGE A PERFORMANCE AT FRIEZE SEOUL
At Frieze Seoul, taking place September 6 to 9 at COEX, Korean collective ikkibawiKrrr will present a new video and interactive performance exploring the marine ecosystem and environmental sustainability that centers on the haenyeo: a community of female divers on Jeju Island who harvest seaweed and seafood for a living. The work takes as its starting point a saying that exists among the haenyeo community — ‘diving is with companion’ — signifying togetherness with each other and with the sea, including its marine creatures and mythical stories. In the creation of the video work, ikkibawiKrrr worked closely with the haenyeo, who are an indelible part of the island’s identity Presented alongside ikkibawiKrrr’s video installation will be an interactive performance titled Flavors of the Sea (2023) that will take place daily at the fair. Both the video and interactive performance expand on ikkibawiKrr’s work Seaweed Story (2022), which will be featured in the PST ART exhibition Breath(e): Towards Climate and Social Justice at the Hammer Museum, Los Angeles in 2024.










CANDICE LIN TO PRESENT A NEW COMMISSION AT FRIEZE LONDON
At Frieze London, taking place October 11 to 15 at The Regent’s Park, Los Angeles-based interdisciplinary artist Candice Lin will present a new work, employing her use of traditional indigo-dying techniques, demonstrated in works such as Seeping, Rotting, Resting, Weeping (2021), and continuing her research into the impact of scientific taxonomies. The commission will take the form of large-scale indigo-dyed kites, drawing on Asian kite-making traditions, which will be displayed at the fair and activated by performers in the Regent’s Park. Lin’s research on the practice of castration in human culture as in animal husbandry and companionship, will be echoed by the negative spaces created by the central holes distinctive of traditional Korean fighter kites’ design. The kites’ surface decoration will feature mythological and animal imagery while referencing 19th century representations of eunuchs at the imperial Chinese court. Rethinking these histories from an inter-species perspective, Lin’s use of kites as a medium —the first time the artist has done so— also engages the long enmeshment of art and science, reminiscent of historical explorations of aerial devices. A public kite workshop co-taught with Yaeun Choi will invite visitors to create and fly their own kites.












FURTHER INFORMATION
The second edition of Frieze Seoul returns to COEX from September 6 to 9, 2023. Steered by Patrick Lee (Director, Frieze Seoul), the fair will feature over 120 leading international galleries, with a strong core of Asia-based exhibitors and a particular emphasis on those with spaces in Korea. Frieze Seoul will run alongside Kiaf SEOUL, operated by the Galleries Association of Korea, together the two fairs will work to celebrate the depth and range of the city’s creative communities. Frieze London and Frieze Masters will take place concurrently from October 11 to 15 in The Regent’s Park. This year marks the 20th anniversary of Frieze London, with celebrations to include an extended program of special projects, partnerships and events demonstrating London’s enduring appeal as a vibrant cultural destination. Led by Eva Langret (Director, Frieze London) and Nathan Clements-Gillespie (Director, Frieze Masters), the two fairs will bring together over 250 leading galleries spanning 46 countries globally.









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– ENDS
Frieze is the world’s leading platform for modern and contemporary art. Frieze comprises three magazines – frieze, Frieze Masters Magazine and Frieze Week – and five international art fairs – Frieze London, Frieze Masters, Frieze New York, Frieze Los Angeles and Frieze Seoul. In October 2021, Frieze launched No.9 Cork Street, a hub for visiting international galleries in the heart of Mayfair, London. Frieze is part of the IMG network.




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About PST ART: Art &amp; Science Collide: Southern California’s landmark arts event PST ART (previously Pacific Standard Time) returns in September 2024 with more than 818 artists, 50 exhibitions, and 1 mind- blowing theme: Art &amp; Science Collide. In partnership with museums and institutions across the region, this is one of the most expansive art events in the world. This “collision” will explore the intersections of art and science, both past and present, with diverse organizations activating exhibitions on topics including ancient cosmologies, Indigenous sci-fi, environmental justice, and artificial intelligence. PST ART: Art &amp; Science Collide will share groundbreaking research, spark lively debate, and provide thought-provoking lenses to explore our complex world. Whether you are already in-the-know or discovering PST ART for the first time, Art &amp; Science Collide will be the groundbreaking event of 2024. PST ART is a Getty initiative. For more information: pst.art









Press Contacts
Frieze, Brianna Wu
E: press@frieze.com
T: +44 20 3222 0453
Getty &amp; PST Art, Polskin Arts, Meagan Jones
E: meagan.jones@finnpartners.com
T +1 212 593 6485

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