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Hammer Museum: ikkibawiKrrr

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Seoul, Korea (August 14, 2023) — Today, Frieze revealed details of a new global partnership with Getty, the Los Angeles-based cultural and philanthropic institution, that will be launched in September 2023 at Frieze Seoul and will culminate in September 2024 with the opening of PST ART. Together, the two organizations will collaborate on a series of commissions and events that will amplify the upcoming edition of PST ART: Art &amp; Science Collide, delivering content, programming and experiences across Seoul, London and Los Angeles. A Getty initiative, PST ART (formerly Pacific Standard Time) brings together museums and institutions across Southern California for one of the most expansive art events in the world. For the 2024 edition, Getty has provided grants to more than 45 organizations, supporting research and planning on a wide variety of exhibitions that will prompt civic dialogue around some of the most urgent issues of our time. Opening September 2024, PST ART: Art &amp; Science Collide will feature more than 818 artists in more than 50 coordinated exhibitions, with project topics ranging from climate change, environmental justice and Indigenous knowledge to artificial intelligence, past and future cosmologies and the frontiers of bioengineering.















Ahead of the 2024 edition of PST ART, Frieze and Getty will work together on a year of activity to raise awareness of the global initiative in key international art centres. Launching at Frieze Seoul 2023 with a commission by Korean visual research collective ikkibawiKrrr, the collaboration will then move to Frieze London, with the debut of a new work by Los Angeles-based interdisciplinary artist Candice Lin, before culminating with the opening of PST ART in September 2024. The partnership reflects Frieze and Getty’s shared commitment to championing Southern California’s diverse ecosystem of artists and institutions by providing a platform for international audiences to engage with the region’s rich cultural landscape.






ikkibawiKrrr TO STAGE A PERFORMANCE AT FRIEZE SEOUL
At Frieze Seoul, taking place September 6 to 9 at COEX, Korean collective ikkibawiKrrr will present a new video and interactive performance exploring the marine ecosystem and environmental sustainability that centers on the haenyeo: a community of female divers on Jeju Island who harvest seaweed and seafood for a living. The work takes as its starting point a saying that exists among the haenyeo community — ‘diving is with companion’ — signifying togetherness with each other and with the sea, including its marine creatures and mythical stories. In the creation of the video work, ikkibawiKrrr worked closely with the haenyeo, who are an indelible part of the island’s identity.






Presented alongside ikkibawiKrrr’s video installation will be an interactive performance titled Flavors of the Sea (2023) that will take place daily at the fair. Both the video and interactive performance expand on ikkibawiKrr’s work Seaweed Story (2022), which will be featured in the PST ART exhibition Breath(e): Toward Climate and Social Justice at the Hammer Museum, Los Angeles in 2024.



CANDICE LIN TO PRESENT A NEW COMMISSION AT FRIEZE LONDON
At Frieze London, taking place October 11 to 15 at The Regent’s Park, Los Angeles-based interdisciplinary artist Candice Lin will present a new work, employing her use of traditional indigo-dying techniques, demonstrated in works such as Seeping, Rotting, Resting, Weeping (2021), and continuing her research into the impact of scientific taxonomies. The commission will take the form of large-scale indigo-dyed kites, drawing on Asian kite-making traditions, which will be displayed at the fair and activated by performers in Regent’s Park. Lin’s research on the practice of castration in human culture as in animal husbandry and companionship, will be echoed by the negative spaces created by the central holes distinctive of traditional Korean fighter kites’ design.







The kites’ surface decoration will feature mythological and animal imagery while referencing 19th century representations of eunuchs at the imperial Chinese court. Rethinking these histories from an inter-species perspective, Lin’s use of kites as a medium —the first time the artist has done so— also engages the long enmeshment of art and science, reminiscent of historical explorations of aerial devices. A public kite workshop co-taught with Yaeun Choi will invite visitors to create and fly their own kites.




FURTHER INFORMATION
The second edition of Frieze Seoul returns to COEX from September 6 to 9, 2023. Steered by Patrick Lee (Director, Frieze Seoul), the fair will feature over 120 leading international galleries, with a strong core of Asia-based exhibitors and a particular emphasis on those with spaces in Korea. Frieze Seoul will run alongside Kiaf SEOUL, operated by the Galleries Association of Korea, together the two fairs will work to celebrate the depth and range of the city’s creative communities. Frieze London and Frieze Masters will take place concurrently from October 11 to 15 in Regent’s Park.





This year marks the 20th anniversary of Frieze London, with celebrations to include an extended program of special projects, partnerships and events demonstrating London’s enduring appeal as a vibrant cultural destination. Led by Eva Langret (Director, Frieze London) and Nathan Clements-Gillespie (Director, Frieze Masters), the two fairs will bring together over 250 leading galleries spanning 46 countries globally.



To keep up to date on all the latest news from Frieze, sign up to the newsletter at frieze.com, and follow @friezeofficial on Instagram, Twitter and Frieze Official on Facebook.

– ENDS
Frieze is the world’s leading platform for modern and contemporary art. Frieze comprises three magazines – frieze, Frieze Masters Magazine and Frieze Week – and five international art fairs – Frieze London, Frieze Masters, Frieze New York, Frieze Los Angeles and Frieze Seoul. In October 2021, Frieze launched No.9 Cork Street, a hub for visiting international galleries in the heart of Mayfair, London. Frieze is part of the IMG network.




IMG is a global leader in sports, fashion, events and media. The company manages some of the world’s greatest athletes and fashion icons; owns and operates hundreds of live events annually; and is a leading independent producer and distributor of sports and entertainment media. IMG also specializes in licensing, sports training and league development. IMG is a subsidiary of Endeavor, a global sport and entertainment company.




Getty is a cultural and philanthropic institution dedicated to the presentation, conservation, and interpretation of the world’s artistic legacy. Through the collective and individual work of its constituent programs—Getty Conservation Institute, Getty Foundation, J. Paul Getty Museum, and Getty Research Institute—Getty pursues its mission in Los Angeles and throughout the world, serving both the general interested public and a wide range of professional communities in order to promote a vital civil society through an understanding of the visual arts.





About PST ART: Art &amp; Science Collide: Southern California’s landmark arts event PST ART (previously Pacific Standard Time) returns in September 2024 with more than 818 artists, 50 exhibitions, and 1 mind-blowing theme: Art &amp; Science Collide. In partnership with museums and institutions across the region, this is one of the most expansive art events in the world. This “collision” will explore the intersections of art and science, both past and present, with diverse organizations activating exhibitions on topics including ancient cosmologies, Indigenous sci-fi, environmental justice, and artificial intelligence. PST ART: Art &amp; Science Collide will share groundbreaking research, spark lively debate, and provide thought-provoking lenses toexplore our complex world. Whether you are already in-the-know or discovering PST ART for the first time, Art &amp; Science Collide will be the groundbreaking event of 2024. PST ART is a Getty initiative. For more information: pst.art









Press Contacts
Frieze, Brianna Wu E: press@frieze.com T: +44 20 3222 0453


Getty &amp; PST Art, Polskin Arts, Meagan Jones E: meagan.jones@finnpartners.com T +1 212 593 6485

FRIEZE AND GETTY REVEAL DETAILS OF A NEW GLOBAL PARTNERSHIP CELEBRATING ‘ART &  SCIENCE COLLIDE’, THE 2024 EDITION OF PST ART

(2023, 08. 14, 서울) 프리즈는 로스앤젤레스에 근간을 둔 게티(Getty)와 글로벌 파트너쉽을 체결, 14일 그에 따른 세부프로그램을 공개했다. 새로운 글로벌 파트너쉽은 프리즈 서울 2023을 시작으로 2024년 9월 개최될 PST ART까지 이어진다. 프리즈와 게티는 PST ART의 ‘예술과 과학의 충돌(Art &amp; Science Collide)’라는 주제아래 함께하는 커미션 프로그램을 발표하며, 서울, 런던, 로스앤젤레스를 넘나 들며 다양한 콘텐츠, 프로그램과 체험을 제공한다.
게티의 프로젝트 중 하나인 PST ART ( 구Pacific Standard Time)는 뮤지엄과 기관들이 참여해 남부 캘리포니아 전역을 아우르는 가장 큰 아트 이벤트다. 게티의 2024년 에디션은 45개 이상의 단체 를 후원하며 우리 시대와 세대에 가장 시급한 사안을 중심으로 대중과의 대화를 촉진, 다양한 전시에 대한 연구와 기획을 지원한다. 2024년 개최되는 PST ART는 예술과 과학의 충돌(Art &amp;Science collide)을 주제로 진행된다. 818여명의 아티스트가 참가해 50개 이상의 전시와 작품을 선보이며, 기후 변화, 환경적 정의, 토착화된 지식부터 인공 지능, 과거와 미래의 우주론 및 생물공 학의 한계에 이르기까지 광범위하고 다양한 주제를 다룬다. 프리즈와 게티는 PST ART의 2024 에디션을 앞두고 전 세계 주요 예술의 거점에서 글로벌 프로젝트의 인식을 높이기 위해 1년 동안 다양한 활동을 펼칠 예정이다. 프리즈 서울 2023에서 비주얼리서치 밴드인 이끼바위쿠르르(iKKIBAWIkRR)의 커미션을 시작으로 프리즈 런던 2023에서는 로스앤젤레스를 기반으로 활동하는 복합 매체 설치 작업 아티스트 캔디스 린(Candice Lin)의 신작을선보인다. 이러한 다양한 프로그램은 프리즈와 게티의 공동의 목표를 반영하며 두 기관은 전 세계 관객들에게 다채로운 문화적 경험과 상호 작용할 수 있는 플랫폼을 제공하고, 남부 캘리포니아 지역의 다양한 아티스트와 기관을 지원한다.
이끼바위쿠르르, 프리즈 서울 2023에서 퍼포먼스 예정 9월 6일부터 9일까지 코엑스에서 개최되는 프리즈 서울에서 한국의 비주얼 리서치 밴드인 ‘이끼바위쿠르르’가 퍼포먼스를 선보인다. 이끼바위쿠르르는 제주도의 해녀를 주제로 해양 생태계와 지속 가능한 환경을 탐구하는 새로운 영상과 인터랙티브 퍼포먼스를 선보일 예정이다. 이번 작품은제주 해녀들이 격언으로 삼는 ‘잠수는 동반자: 바다, 동료 그리고 해양 생물과 신화적 이야기’에서시작되었으며, 이 과정에서 아티스트는 제주의 정체성을 보여줄 수 있는 해녀들과 함께 긴밀한협력하에 진행했다. 또한, 영상과 함께 이끼바위쿠르르는 페어 현장에서 ‘바다의 맛(Taste of the Sea)’ 인터랙티브 퍼포먼스를 매일 선보인다. 이 퍼포먼스는 아티스트의 ‘해초 이야기(Seaweed story, 2022)’의 연장선으로 2024년 로스앤젤레스 해머 박물관에서 진행되는 ‘숨(쉬다): 기후와 사회 정의를 향해(Breath(e): Toward Climate and Social Justice)’ 전시에서도 진행될 예정이다. 캔디스 린, 프리즈 런던에서 신작 공개 로스앤젤레스 기반의 복합 매체 설치 작업 아티스트 캔디스 린(Candince Lin)은 런던 리젠트 파크에서 열리는 프리즈 런던(10월 11일-15일)에서 신작을 공개한다. 캔디스 린은 이번 작품에서도‘Seeping, Rotting, Resting, Weeping(2021)’에서 선보인 아시아의 전통적인 인디고 염색 기법을 활용하고 과학적 분류에 대한 연구를 이어간다. 특히 이 작품은 인디고 색을 입힌 대형 연의 형태로 제작돼 페어장에 전시되며 이후 리젠트 파크에서 공연인들에 의해 날려지는 퍼포먼스도 예정돼 있다. 린은 이 작품에서 한국의 전통 방패연의 음각 디자인을 활용해 인간이 가축과 반려동물에 행하는 중성화에 대한 생각을 투영했다. 특히 연의 표면은 신화와 동물의 형상으로 장식 되어있고, 19세기 중국 황실의 환관을 상징하는특징들도 담았다. 이와 같이 캔디스 린은 다종간적인 관점에서 역사를 연결하고 재해석하여, 작가로서는 처음으로 연을 매개로 예술과 과학의 오래된 연결고리를 주목하고 항공기의 역사적 탐험을 연상하는 시도를 선보인다. 아울러 최예은과 공동 진행하는 워크샵에서는 참가자들이 직접 연을 만들고 날리는 체험을 할 수 있다. ### 추가 정보 올해 두번째로 개최되는 프리즈 서울 2023은 9월 6일부터 9일까지 서울 코엑스에서 개최된다. 디렉터 패트릭 리가 이끄는 프리즈 서울은, 전 세계 주요 갤러리 120여개가 참가하며 아시아 기반의 갤러리들이 비롯하여 특히 한국에 기반을 둔 갤러리들이 함께할 예정이다. 프리즈 서울은 키아프 서울과 공동으로 개최되며 두 페어는 서울의 커뮤니티를 다양하고 깊이 있게 탐구하고 축하하며, 기념할 예정이다. 프리즈 런던과 프리즈 마스터스는 10월 11일부터 15일까지 런던 리젠트 파크에서 개최된다. 올해는 프리즈 런던의 20주년으로, 이를 축하하기 위해 특별 프로젝트, 파트너쉽 프로그램을 포함해다양한 프로그램의 확장을 보여준다. 프리즈 런던의 디렉터인 에바 랑그레(Eva Langret), 프리즈마스터스의 디렉터 ‘네이선 클레멘츠 질레스피 (Nathan Clements-Gillespie)가 두 페어를 이끌며전 세계 46개국 250여개의 주요 갤러리가 참여합니다.프리즈의 최신 뉴스를 받아보려면 frieze.com에서 뉴스레터를 구독하시고 인스타그램, 트위터에서@friezeofficial을 팔로우하거나 페이스북에서 Frieze Official을 팔로우하세요. 프리즈(Frieze) 학자, 수집가, 애호가 및 일반 대중을 위한 현대 미술 세계 최고의 플랫폼이다. 프리즈는프리즈, 프리즈 마스터스 매거진, 프리즈 위크 등 3 개의 잡지와 프리즈 런던, 프리즈 마스터스, 프리즈 뉴욕, 프리즈 로스앤젤레스, 프리즈 서울 등 5 개의 국제 아트페어로 구성되어 있다. 2021 년 10 월, 프리즈는 런던 갤러리의 허브인 메이 페어의 중심부에 위치한 전시 공간인 No.9 코크 스트리트를 런칭했다. 프리즈는 IMG 네트워크의 일부이다. frieze.com. IMG 스포츠, 패션, 이벤트 및 미디어 분야의 글로벌 리더이다. 세계 최고의 운동선수와 패션아이콘을 관리하고 있으며, 연간 수백 개의 라이브 이벤트를 소유하고 운영하는 스포츠 및엔터테인먼트 미디어의 선도적인 독립 제작 및 배급업체다. 또한 IMG 는 라이선스, 스포츠훈련, 리그 개발을 전문으로 한다. IMG 는 글로벌 스포츠·엔터테인먼트 기업인 엔데버의자회사다. 게티(Getty) 전 세계의 문화, 미술, 예술 유산의 전시, 보존 및 복원에 주력하는 기관이다. 게티는 게티 보존과학 연구소(Getty Conservation Institute), 게티 파운데이션(Getty Foundation), 폴 게티 미술관(J.Paul Getty Museum), 게티 연구소(Getty Research Institute) 등으로 구성 되어있다. 기관 간의 개별적, 집단적 유기적인 작업을 통해 로스앤젤레스, 아울러 전 세계에 대중과 전문 아트 커뮤니티에미술에 관한 흥미와 이해를 높이기 위한 다양한 서비스를 제공하고 있다. PST ART: Art &amp; Science Collide 오는 2024년 9월, 남부 캘리포니아 지역을 대표하는 미술 행사 PST ART(구Pacific Standard Time)가 818여명의 아티스트, 50개 이상의 전시와 함께 ‘Art &amp; Science Collide(예술과 과학의 충돌)’ 라는 주제로 돌아온다. 남부 캘리포니아 지역의 뮤지엄과 기관 등과의 파트너쉽을 통해 PST ART는세계에서 가장 다채로운 아트 이벤트가 될 것이다. 이런 이벤트는 예술과 과학, 과거와 현재의 교차점을 탐구할 것이며 다양한 기관들은 고대 우주론, 토착화된 공상과학, 환경적 정의 및 인공 지능 등의 주제에 대한 전시를 개최할 것이다. ‘PST ART: 예술과 과학의 충돌’은 혁신적인 연구를 공유하고 생동감 있는 논쟁을 일으키며, 우리의 복잡한 세계를 탐색하는 데 있어 시사하는 바가 많 은 창구를 제공할 것이다. PST ART가 생소한 이들에게도 ‘예술과 과학의 충돌’은 2024년에 한 획을 긋는 이벤트가 될 것이다. PST ART는 게티 이니셔티브이며, 더 많은 정보는 pst.art 에서 확인할 수 있다.

프리즈(FRIEZE), 게티(GETTY)와 새로운 파트너쉽 체결 PST ART 2024 에디션 ‘예술과 과학의 충돌’ 세부 프로그램 발표

Seúl, Corea (14 de agosto de 2023) — Hoy, Frieze reveló más detalles sobre una nueva asociación mundial con Getty, la institución cultural y filantrópica con sede en Los Ángeles, que se lanzará en septiembre de 2023 en Frieze Seúl y culminará en septiembre de 2024, con la inauguración de PST ART. En conjunto, las dos organizaciones colaborarán en una serie de encargos y eventos que amplificarán la próxima edición de PST ART: “El arte y la ciencia colisionan” y ofrecerán contenido, programación y experiencias en todo Seúl, Londres y Los Ángeles.
PST ART (anteriormente, Pacific Standard Time), una iniciativa de Getty, reúne a museos e instituciones de todo el sur de California en uno de los eventos artísticos más expansivos del mundo. Para la edición 2024, Getty ha proporcionado subvenciones a más de 45 organizaciones con el fin de respaldar las investigaciones y la planificación de una amplia gama de exposiciones que fomentarán el diálogo cívico en torno a algunas de las cuestiones más acuciantes de nuestros tiempos. El evento PST ART: “El arte y la ciencia colisionan”, que se inaugurará en septiembre de 2024, contará con la presencia de más de 818 artistas en más de 50 exposiciones coordinadas, con temáticas que abarcan desde el cambio climático, la justicia ambiental y el conocimiento indígena hasta la inteligencia artificial, las cosmologías del pasado y el futuro y los límites de la bioingeniería.
Previo a la edición 2024 de PST ART, Frieze y Getty trabajarán juntos durante un año en el que llevarán a cabo distintas actividades para dar a conocer la iniciativa global en centros de arte internacionales clave. Los eventos comenzarán en Frieze Seúl 2023 con un encargo al colectivo coreano de investigación visual ikkibawiKrrr; luego, la colaboración se trasladará a Frieze Londres, con la presentación de una nueva obra de la artista interdisciplinaria radicada en Los Ángeles Candice Lin y culminará con la inauguración de PST ART en septiembre de 2024. Esta asociación es un reflejo del compromiso que comparten Frieze y Getty de defender el ecosistema diverso de artistas e instituciones del sur de California al ofrecer una plataforma para que la audiencia internacional pueda interactuar con el rico paisaje cultural de la región.
ikkibawiKrrr HARÁ UNA PRESENTACIÓN EN FRIEZE SEÚL
En Frieze Seúl, que se llevará a cabo del 6 al 9 de septiembre en COEX, el colectivo coreano ikkibawiKrrr presentará un nuevo video e interpretación interactiva que exploran el ecosistema marino y la sustentabilidad ambiental y hacen hincapié en las haenyeo: una comunidad de buceadoras de la isla Jeju que se ganan el sustento cosechando algas y mariscos. La obra toma como punto de partida un dicho de la comunidad de las haenyeo, “el buceo se hace en compañía”, que hace referencia a la cercanía entre sí y con el mar, incluidas las criaturas que lo habitan y las historias míticas. Para crear la obra en video, ikkibawiKrrr trabajó en estrecha colaboración con las haenyeo, que son una parte imborrable de la identidad de la isla.
Junto con la instalación en video de ikkibawiKrrr, habrá una presentación interactiva denominada Flavors of the Sea (Sabores del mar) (2023) que se llevará a cabo todos los días en la feria. Tanto el video como la presentación interactiva profundizan en la obra SeaweedStory (Historia sobre las algas) (2022) de ikkibawiKrrr, que se presentará en el evento PST ART dentro de la exposición “Respira(ción): un camino hacia la justicia climática y social” en el Hammer Museum, Los Ángeles, en 2024.
CANDICE LIN PRESENTARÁ UN ENCARGO NUEVO EN FRIEZE LONDRES
En Frieze Londres, que tendrá lugar del 11 al 15 de octubre en The Regent’s Park, la artista interdisciplinaria radicada en Los Ángeles Candice Lin presentará una obra nueva en la que emplea las tradicionales técnicas de teñido con
índigo —cuyo uso ya ha demostrado en obras como Seeping, Rotting, Resting, Weeping (Filtrándose, pudriéndose, descansando, llorando) (2021)— y continúa con su investigación sobre el impacto de las taxonomías científicas. El encargo adoptará la forma de cometas a gran escala teñidas con índigo, inspiradas en las tradiciones asiáticas de fabricación de cometas, que estarán expuestas en la feria y distintos intérpretes las activarán en el Regent’s Park. La investigación de Lin sobre la práctica de la castración en la cultura humana como en la cría de animales y los animales de compañía se verá reflejada en los espacios negativos que crean los orificios centrales tan tradicionales en el diseño de cometas de combate coreanas.
La decoración de la superficie de las cometas contará con imágenes mitológicas y de animales, y, al mismo tiempo, hará referencia a las representaciones de los eunucos en la corte imperial china del siglo XIX. Si repensamos estas historias desde una perspectiva que abarque a todas las especies, el uso que hace Lin de las cometas como medio —la primera vez que lo hace— también evoca el enredo que siempre ha habido entre el arte y la ciencia, lo que hace referencia a las exploraciones históricas de los dispositivos aéreos. Habrá un taller público sobre cometas que se dictará junto con Yaeun Choi, donde los visitantes podrán crear y hacer volar sus propias cometas.
MÁS INFORMACIÓN
La segunda edición de Frieze Seúl volverá a COEX del 6 al 9 de septiembre de 2023. La feria, que estará dirigida por Patrick Lee (director de Frieze Seúl), contará con más de 120 galerías de renombre internacional, con un sólido núcleo de expositores asiáticos y un énfasis particular en los que tienen espacios en Corea. Frieze Seúl se llevará a cabo al mismo tiempo que Kiaf SEÚL, un evento dirigido por la Galleries Association of Korea; en conjunto, las dos ferias trabajarán para celebrar la profundidad y la amplia diversidad de comunidades creativas de la ciudad.
Frieze Londres y Frieze Masters tendrán lugar al mismo tiempo, del 11 al 15 de octubre en The Regent’s Park. Este año, se celebra el 20.º aniversario de Frieze Londres, y las celebraciones incluirán un programa extendido de proyectos, asociaciones y eventos especiales que harán gala del constante atractivo de la ciudad de Londres como destino cultural vibrante. Dirigidas por Eva Langret (directora de Frieze Londres) y Nathan Clements-Gillespie (director de Frieze Masters), las dos ferias reunirán a más de 250 de las principales galerías de 46 países del mundo.
Para estar al tanto de todas las novedades de Frieze, inscríbase al boletín de noticias en frieze.com y siga a @friezeofficial en Instagram y Twitter y a Frieze Official en Facebook.
– FIN
Frieze es la plataforma líder del mundo en el ámbito del arte moderno y contemporáneo. Frieze cuenta con tres revistas —frieze, Frieze Masters Magazine (Revista Frieze Masters) y Frieze Week (Frieze semanal)— y cinco ferias de arte internacionales: Frieze Londres, Frieze Masters, Frieze Nueva York, Frieze Los Ángeles y Frieze Seúl. En octubre de 2021, Frieze inauguró el espacio No.9 Cork Street, un centro para visitar galerías internacionales en el corazón de Mayfair, Londres. Frieze forma parte de la red IMG.
IMG es una empresa líder mundial en deportes, moda, eventos y medios. La empresa administra a algunos de los atletas e íconos de la moda más importantes del mundo; dirige y es propietaria de cientos de eventos en directo al año; y es una productora y distribuidora independiente líder de medios deportivos y de entretenimiento. IMG también se especializa en licencias, capacitación deportiva y desarrollo de ligas. IMG es una empresa subsidiaria de Endeavor, una empresa mundial de deportes y entretenimiento.
Getty es una institución cultural y filantrópica dedicada a la presentación, conservación e interpretación del legado artístico mundial. Mediante el trabajo colectivo e individual de los programas que lo componen (Getty Conservation Institute, Getty Foundation, J. Paul Getty Museum y Getty Research Institute), Getty lleva a cabo su misión en Los Ángeles y en el mundo, al servicio tanto del público general interesado como de una amplia variedad de comunidades profesionales para promover una sociedad civil vital a través de la comprensión de las artes visuales.
Acerca de PST ART: “El arte y la ciencia colisionan”: el evento de arte insignia del sur de California, PST ART (anteriormente, Pacific Standard Time) regresa en septiembre de 2024 con más de 818 artistas, 50 exposiciones y una temática impactante: “El arte y la ciencia colisionan”. Junto con la participación de museos e instituciones de toda la región, este es uno de los eventos artísticos más expansivos del mundo. Esta “colisión” analizará las intersecciones
entre el arte y la ciencia, tanto del pasado como del presente, con distintas organizaciones que desarrollan exposiciones sobre temas que incluyen las cosmologías
antiguas, la ciencia ficción indígena, la justicia ambiental y la inteligencia artificial. PST ART: “El arte y la ciencia colisionan” compartirá investigaciones innovadoras, suscitará debates animados y ofrecerá una lente que invita a la reflexión para explorar nuestro complejo mundo. Tanto si ya conoce el evento como si es la primera vez que escucha sobre PST ART, “El arte y la ciencia colisionan” será la cita más trascendental de 2024. PST ART es una iniciativa de Getty. Para obtener más información, visite pst.art
Contactos de prensa
Frieze, Brianna Wu E: press@frieze.com T: +44 20 3222 0453

Getty y PST Art, Polskin Arts, Meagan Jones E: meagan.jones@finnpartners.com T +1 212 593 6485

FRIEZE Y GETTY: MÁS DETALLES SOBRE LA NUEVA ASOCIACIÓN MUNDIAL PARA CELEBRAR “EL ARTE Y LA CIENCIA COLISIONAN”, LA EDICIÓN 2024 DE PST ART

Autry P1 Signature Image - Indigenous Futures

The San Diego Museum of Art P1 Signature Image - Wonders of Creation

La Brea Tar Pit P1 Signature Image - Excavations

California Institute of Technology P1 Signature Image - Crossing Over

Fathomers P1 Signature Image - Emergence: A Genealogy

California African American Museum P1 Signature Image - George Washington Carver

Academy Museum P1 Signature Image - Cyberpunk

Academy Museum P1 Signature Image - Color in Motion

Hammer Museum Phase 1 Signature Image - Cannupa Hanska Luger

ONE Archives Phase 1 Signature Image - Cameron, Holy Guardian Angel

Wende Museum P1 Signature Image - Connected Dreamworlds

The Huntington P1 Signature Image - Growing and Knowing

The Museum of Contemporary Art P1 Signature Image - Olafur

Mingei International Museum P1 Signature Image - Blue Gold

Museum of Jurassic Technology P1 Signature Image - A Veiled Gazelle

LACMA P1 Signature Image - Digital Witness

Getty Center P1 Signature Images - E.A.T.

CSU Dominguez Hills University Art Gallery P1 Signature Image - Brackish Water

Birch Aquarium P1 Signature Image - Embodied Pacific

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VPAM P1 Signature Image - We Place Life at the Center

LACMA P1 Signature Image - We Live in Color

SCI-Arc P1 Signature Image - Views of Planet City

LACE P1 Signature Image - (un)disciplined

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Skirball Cultural Center P1 Signature Image - Trees, Time, and Technology

Oceanside Museum of Art P1 Signature Image - Transformative Currents

NASA JPL Brand Library & Art Center P1 Signature Image - The Stars are Calling

The Huntington P1 Signature Image - Storm Cloud

Getty Center P1 Signature Image - Sculpting with Light

Self-Help Graphics P1 Signature Image - Sinks

ICA LA P1 Signature Image - Scientia Sexualis

UCLA Film & Television Archive P1 Signature Image - Science Fiction Against the Margins

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The Center for Land Use Interpretation P1 Signature Image - Remote Sensing

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Craft Contemporary P1 Signature Image - Nature Near

Museum of Contemporary Art San Diego P1 Signature Image - Medical Condition

Getty Center P1 Signature Image - Magnified Wonders

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The Broad P1 Signature Image - Social Forest: Oaks of Tovaangar

OXY ARTS P1 Signature Image - Invisibility

La Jolla Historical Society P1 Signature Image - Helen and Newton Harrison

Natural History Museum of Los Angeles County P1 Signature Image - Habitats

Benton Museum P1 Signature Image - Fred Eversley

Fulcrum Arts P1 Signature Image - Energy Fields

Getty Center P1 Signature Image - Drawing With Light

UCR ARTS P1 Signature Image - Digital Capture

Lancaster MOAH P1 Signature Image - Desert Forest

LACMA P1 Signature Image - Cosmologies

MOLAA (Museum of Latin American Art) P1 Signature Image - ARTEONICA*

UCLA Art | Sci P1 Signature Image - Atmosphere of Sound

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REDCAT P1 Signature Image - All Watched Over by Machines of Loving Grace

Armory P1 Signature Image - From the Ground Up

LOS ANGELES – Katherine E. Fleming, president and CEO of the J. Paul Getty Trust, today joined more than 50 partner organizations to reveal the mind-expanding exhibitions they will present in the next Pacific Standard Time, Art &amp; Science Collide, opening in September 2024. Grants from Getty for the latest edition now total $17 million, with more organizations to be added as the collaboration grows. Getty also announced plans to make the landmark regional collaboration a regularly scheduled series on a five-year cycle under a new name, PST Art.
“When I arrived in Southern California I was struck by the enthusiasm and pride the community had for PST, and when I traveled abroad, it was the Getty initiative everyone referenced as cementing Los Angeles’s place as one of the global cultural capitals of the 21st century,” Fleming says. “I am proud to announce today that Getty is making a commitment to continue these large-scale, interdisciplinary collaborations that produce new knowledge and engage broad audiences on a regular basis.”
In two previous editions over the past 12 years, Pacific Standard Time brought together museums and cultural organizations across Southern California to delve into topics too ambitious for any single institution to tackle alone—from rewriting the history of post-World War II American art to forging a hemispheric conversation about Latin American and Latinx art. Getty’s new commitment will make PST Art’s research-driven collaborations a destination event for audiences every five years.
“The exhibitions in this new edition of PST Art boldly go beyond the expected, sparking a fundamental shift in how we see the possibilities of both art and science,” says Joan Weinstein, director of the Getty Foundation, who has stewarded all PST Art collaborations to date. “The questions that more than 50 partner organizations are posing in their exhibitions are crucial for our very future. What can artists and scientists do in collaboration to overcome ecological damage and imagine a more sustainable future? What does the history of Southern California’s aerospace industry tell us about the movies, and about current structures of surveillance and control? How have scientists visualized the natural world, and how do artists now envision once-unthinkable scientific developments? With Art &amp; Science Collide, PST Art is again venturing into new territory and revealing the unexpected.”
Lori Bettison-Varga, president and director of the Natural History Museums of Los Angeles County, says, “It is fitting that the Natural History Museum is the place for kicking off this celebration of the interplay between art and science, a connection we deeply value. We are proud to be presenting two exhibitions in this next PST Art—one at NHM and one at La Brea Tar Pits—both with artistic and scientific throughlines for understanding the past and considering the ecological future. 
This edition of PST Art will be the most far-reaching to date, bringing together cultural, educational, and scientific institutions large and small—throughout Los Angeles and from San Diego to Palm Springs—to offer a global panorama of the interplay between art and science, past and present. The exhibition topics range from biotechnology to sustainable agriculture, and from ancient cosmologies to Indigenous sci-fi. Many exhibitions propose creative, real-world solutions to current issues such as climate change, environmental justice, and artificial intelligence.
Cannupa Hanska Luger, a cross-disciplinary artist whose work will be featured in exhibitions at both the Autry Museum of the American West and the Hammer Museum, says, “From my Indigenous perspective, we’re three to four generations into an apocalypse and trying to navigate through darkness toward a future where we can thrive. I think of the artwork I’m showing in Art &amp; Science Collide as a kind of technology that values reverence for the land we belong to, rather than privileging extraction from a land that we mistakenly believe belongs to us.”
The collaborating institutions in Art &amp; Science Collide include civic institutions such as LACMA, the Natural History Museums of Los Angeles County, and the San Diego Museum of Art; museums such as The Broad and MOCA; academic institutions including the California Institute of Technology and SCI-Arc; university-affiliated museums and galleries such as the Hammer Museum at UCLA and UCR Arts at UC Riverside; organizations working at the convergence of contemporary art, science, and education including Fathomers and the Beall Center for Art + Technology at UC Irvine; and world-renowned scientific institutions, such as Birch Aquarium at Scripps Institution of Oceanography and the Jet Propulsion Laboratory. E. C. Krupp, director of the Griffith Observatory, says, “Science and art are both in the business of discovery and perspective, but because they are not generally mentioned in the same breath, their contact almost inevitably generates surprise and wonder. In this artful engineering of the unexpected, PST Art is certain to lift the shades on the windows of perception. As we deliver the cosmos to visitors at the Observatory, Los Angeles’s linchpin between earth and sky, we hope to propel them to the rest of the PST Art universe, where there is no limit to the excitement and discovery we can spark.”
PST Art will also introduce Community Hubs, providing expanded opportunities for community-based organizations to get involved in PST Art and the conversations it might prompt. Leading the Community Hubs are LA Plaza de Cultura y Artes, LA Commons, and the Lancaster Museum of Art and History: organizations that serve diverse populations across Los Angeles County from Antelope Valley and the Mojave Desert to East LA and South LA, as well as the neighborhoods of LA’s historic core. Each of the three lead organizations will use its own time-tested strategies to engage grass-roots organizations and young creatives in its area, including local environmental action groups, community science organizations, STEAM educators, artist collectives, and public agencies.
Since Getty announced its initial round of grants for Art &amp; Science Collide in 2021, teams of curators, scientists, artists, and others have spent more than two years immersed in research for their exhibitions and programs. Some have commissioned artists to create new works or have developed immersive displays. The total number of artists represented now stands at more than 800 and is likely to increase.
Among the figures represented by, or participating in, PST Art are innovators from George Washington Carver to Carolina Caycedo whose work interrogates both art and science, as well as scientists who use the materials and practices of artists in advanced research. 
The vast range of artistic media to be considered in Art &amp; Science Collide includes ancient Aboriginal drawings from Australia, Mesoamerican vessels and textiles, medieval Islamic illustrated books, Chinese hanging scrolls, 19th-century British Romantic paintings, mid-20th-century US abstract paintings and sculpture, computer-based art from 1960s and 1970s South America, contemporary installations and cross-disciplinary art, and a host of videos and films. Jacqueline Stewart, director and president of the Academy Museum of Motion Pictures, says, “Cinema is the ultimate marriage of art and science, a still-evolving extension of older forms of visual storytelling made possible by continual technical breakthroughs. In our two contributions to PST Art, we examine both sides of the equation, looking at the evolution of key technologies in Color in Motion and at the way film artists envision possible futures in Cyberpunk.”
Thematic Exhibition Overview of PST Art: Art &amp; Science Collide
A sample list of exhibitions follows. A complete list of partner institutions and their exhibitions may be found <a href="https://finnpartners.box.com/v/PSTexhibitions">here</a>.
Among the themes being developed in the new PST Art, and the exhibitions that explore them, are:
The Body: Site, Image, Possibility: Fathomers, Emergence: A Genealogy: an exploration of the inner and outer biological landscapes of the future human, presented at the Japanese American Cultural and Community Center; ICA LA, Scientia Sexualis: a survey of contemporary artists whose work confronts, dissolves, and reimagines sex and gender within the scientific apparatus; and Museum of Contemporary Art San Diego, Medical Condition: Art, Sickness and Survival: a look at art practices that contend with the impact of medicine and technology on our conceptions of the self and the body.
Ecology and Environmental Justice: California African American Museum, World Without End: The George Washington Carver Project: an examination of the impact of George Washington Carver on contemporary art and environmental science; Hammer Museum, Breath(e): Toward Climate and Social Justice: an exhibition of the work of contemporary artists, scientists, and activists focusing on the lungs of our planet—oceans, atmosphere, and forests—including tangible contributions toward their protection; Museum of Contemporary Art, Olafur Eliasson: an invitation to consider the climate crisis through immersive experiences, including a newly commissioned, large-scale installation and a survey of Eliasson’s attention to climate issues over his 30-year career; Self Help Graphics &amp; Art, Sinks: Places We Call Home, presented at the Luckman Gallery, Cal State LA: a project examining the impact of toxic manufacturing sites on communities near Self-Help Graphics, including works emerging from a collaboration between artist-scientist Maru García and scientists from the Natural History Museum of Los Angeles County.
Picturing Science: California Institute of Technology, Crossing Over: Caltech and Visual Culture, 1920–2020: a retrospective of the last 100 years of Caltech as a site for scientific and artistic image production, and through it the visual culture of scientific institutions; Palm Springs Art Museum, Particles and Waves: Southern California Abstraction and Science, 1945 to 1990: an examination of how concepts and technologies from advanced scientific research impacted the development of abstract or non-figurative art in postwar Southern California; UCR ARTS at UC Riverside, Digital Capture: Southern California and the Origins of the Pixel-Based Image World: an exhibition tracing the history of today’s digital imaging back to the Southern California research laboratories of the Cold War and the 1960s Space Race.
Global Cultures: Getty, Lumen: The Art &amp; Science of Light: a major exhibition demonstrating how the study of light, vision, and the movement of the heavens were explored by Christian, Jewish, and Muslim theologians to understand the sacred during the “Long Middle Ages” (c. 800–1600); The Huntington Library, Art Museum, and Botanical Gardens, 奪天工 Growing and Knowing in the Gardens of China: an exhibition focusing on the gardens of China’s early modern literati, where scholars hybridized plants, domesticated wild flora, cultivated herbal medicines, and gained an understanding of themselves and their place in the universe; Mingei International Museum, Blue Gold: The Art and Science of Indigo: a look at the history and possible future of a plant with roots going back 6,000 years in Peru and 4,500 years in Egypt, exploring its universal appeal as a dyestuff and pigment.
Visions of the Future: Academy Museum of Motion Pictures, Cyberpunk: Envisioning Possible Futures: an experiential exhibition and programming series examining the global impact and lasting influence of Cyberpunk on cinema culture; Autry Museum of the American West, Future Imaginaries: Indigenous Art, Fashion, Technology: an experimental installation of the work of Indigenous artists who have taken up aspects of science fiction, often combined with digital media, performance, and traditional knowledge systems; ONE Archives at the USC Libraries, Sexual Science and the Imagi-nation: a consideration of the overlooked importance of science fiction fandom and the occult to US queer history, presented at the USC Fisher Museum of Art.
The Skies and the Cosmos: Los Angeles County Museum of Art, Cosmologies: an exploration of the breadth of cosmologies, including astrology and astronomy, across cultures and time through a selection of around 100 sculptures, manuscripts, photographs, astronomical instruments; The Griffith Observatory Foundation will extend this exploration of cosmologies with a 23-minute digital film Pacific Standard Universe; NASA’s Jet Propulsion Laboratory at Brand Library &amp; Art Center, The Stars Are Calling: Objects of Connectedness and Interplanetary Discovery: an exhibition of existing and newly created artworks, presented as “objects from the future,” which ask how our exploration of the cosmos may shape new kinds of relationships between humans and robots.
Technologies of Seeing and Control: Center for Land Use Interpretation, Remote Sensing: Explorations into the Art of Detection: an investigation of aesthetic and cultural responses to remote sensing technologies, developed by the Los Angeles aerospace industry and now inescapable presences in daily life; OXY ARTS, Invisibility: Powers and Perils: a presentation of the work of artists, scientists, and activists who are rendering visible the people, histories, and planetary conditions that have been erased within the cultural mainstream and are restoring the power of privacy and invisibility to those who have been denied it; The Wende Museum, Surveillance and Countersurveillance: Control, Privacy, Agency: a history of present-day biometric technologies such as facial recognition going back to the Cold War, and a survey of artistic responses to surveillance, celebrating the ability of people to connect “under the radar.”
Claiming Tomorrow: Library Foundation of Los Angeles and Los Angeles Public Library, No Prior Art: a celebration of invention as a key feature of both scientific and artistic advances, featuring an exhibition of works by more than a dozen artists and inventors including Mixografia (an art studio that invented a three-dimensional printmaking process), trans artist Pippa Garner (whose inventions explore the body and critique capitalist consumerism), and the KAOS Network, a community-based Afro-futurist innovation lab founded by Ben Caldwell; REDCAT, All Watched Over by Machines of Loving Grace: proposals for reclaiming the emancipatory potential of artificial intelligence, as seen through a broad range of multidisciplinary art forms reflecting BIPOC, feminist, non-western, and non-binary systems of thought; SCI-Arc, Views of Planet City: a radically optimistic vision of the future, in which the most audacious scientific and technological advances of our time are used to reverse human encroachments onto nature and enable all of the world’s 8 billion people to live in one sustainable hyperdense city.
About PST Art
Southern California’s landmark arts event, Pacific Standard Time, returns in September 2024 with more than 50 exhibitions from museums and other institutions across the region, all exploring the intersections of art and science, both past and present. Dozens of cultural, scientific, and community organizations will join the latest edition, PST Art: Art &amp; Science Collide, with exhibitions on subjects ranging from ancient cosmologies to Indigenous sci-fi, and from environmental justice to artificial intelligence. Art &amp; Science Collide will share groundbreaking research, create indelible experiences for the public, and generate new ways of understanding our complex world. Art &amp; Science Collide follows Pacific Standard Time: LA/LA (September 2017–January 2018), which presented a paradigm-shifting examination of Latin American and Latinx art, and Pacific Standard Time: Art in L.A. 1945–1980 (October 2011–March 2012), which rewrote the history of the birth and impact of the LA art scene. PST Art is a Getty initiative. For more information about PST Art: Art &amp; Science Collide, please visit: pst.art
Media Contacts
Polskin Arts
Meagan Jones
212.593.6485 Meagan.jones@finnpartners.com
Ruth Frankel
646.213.7249 Ruth.frankel@finnpartners.com

More Than 50 Southern California Organizations Reveal Exhibition Plans for the Next Edition of Pacific Standard Time  Art & Science Collide, Opening September 2024.

ONE Archives P1 Signature Image

Autry - Indigenous Futures

MÁS DE 50 ORGANIZACIONES DEL SUR DE CALIFORNIA REVELAN LOS PLANES PARA LA EXPOSICIÓN DE LA PRÓXIMA EDICIÓN DE PACIFIC STANDARD TIME

Press Image 01/27/2021

The landmark series will return with dozens of simultaneous exhibitions and programs focused on the intertwined histories of art and science, past and present, that together address some of the most complex challenges of the 21st century—from climate change and environmental racism to the current pandemic and artificial intelligence—and the creative solutions these problems demand.



“Over the centuries art and science have come together and come into conflict, learned from one another and built upon shared insights,” says Joan Weinstein, director of the Getty Foundation. “We have faith that the remarkably diverse and inventive approaches taken by all the partner institutions will produce revelatory results and productive civic dialogue.”



Ann Philbin, director of the Hammer Museum, a collaborating partner in the initiative, notes that art and science have too often been put on opposite ends of the equation.

“We’re eager to break that pattern with this new edition of Pacific Standard Time as we collectively explore nothing less than two fundamental modes of understanding the world, and the powerful and surprising ways they connect,” says Philbin. 


Thematically linked exhibitions in the 2024 Pacific Standard Time (PST) will range from historical surveys of how artists have pictured scientific worldviews—and how scientists have used images as tools of persuasion—to interventions by contemporary artists, scientists, and designers in the fight against ecological damage and environmental pollution. Projects will reflect on revolutionary biomedical technologies that until recently seemed speculative, as well as the uses and abuses of technology and the future of artificial intelligence. Exhibitions will also reveal how sci-fi futurism is being reimagined by architects, filmmakers, and Indigenous activists.






“Art and science share a common commitment to curiosity and a quest for the unseen,” observes multidisciplinary artist Tavares Strachan, who will be included in several exhibitions. “Whether that is a scientist using a microscope to look at what is invisible to the human eye or an artist like me studying scientific pioneers who have disappeared from or were never included in the history books, both of us are driven to explore. It’s what we do and how we survive.”




The ongoing influence of Southern California’s scientific culture will be a recurring theme, whether in exhibitions that trace the social and artistic repercussions of the aerospace industry and space exploration or that examine technical innovations in Hollywood movie-making.


John Mulchaey, director of the Carnegie Observatories, which is partnering with the Los Angeles County Museum of Art (LACMA) on its PST exhibition, extols the history of science innovation across the region, saying “The achievements of researchers in Southern California over the past century, from measuring the size and expansion of the universe to sending the first message over the internet, have been staggering.” Juna Kollmeier, a prominent staff astronomer at the Carnegie and a participant in the PST initiative as well, adds, "PST gives us the chance to increase public awareness about these breakthroughs in the face of rising skepticism of scientific truth by considering their broader artistic and cultural dimensions.”







As with the previous PST initiatives, the participating organizations constitute a community of institutions throughout Southern California, diverse in profile but joined by a common purpose. Participants funded in the research and planning stage include civic institutions such as LACMA and the Natural History Museums of Los Angeles County, academic institutions including California Institute of Technology and Southern California Institute of Architecture, university-affiliated museums and galleries such as the Hammer and the California Museum of Photography at UC Riverside, organizations working at the convergence of contemporary art and science including Fathomers and Fulcrum Arts, and museums focused on particular fields of the arts, such as the Academy Museum of Motion Pictures and the Lucas Museum of Narrative Art. The participating institutions cluster in and around Los Angeles but are spread as far south as San Diego and as far north as Santa Barbara.









“PST comes at a moment when so many museums and visual arts organizations are struggling to stay afloat after being closed for nearly a year,” says César García-Alvarez, director and chief curator at The Mistake Room. “Getty’s research support allows institutions like ours to take on major projects that not only encourage us to think big but also gift us opportunities to build meaningful community partnerships for the future.”




Like the first two PST collaborations, the participating cultural and scientific institutions, large and small, will present their research in exhibitions, publications, performances, and public conversations and programs that bring artists and scientists in dialogue with each other and with community leaders and the public. A second round of grants from the Getty Foundation, to be announced at a later date, will support the implementation of the exhibitions. Several additional projects are in development, including exhibition and programming partnerships, and will also be announced in coming months.





A complete list of partner institutions to date and their projects may be found <a href="https://www.getty.edu/projects/?organizer=getty-foundation&amp;status=active">here</a>.
Thematic Overview of the Next Pacific Standard Time
Exhibitions on environmental justice and sustainability include:
• Sinks: Places We Call Home (Self Help Graphics and Arts), presenting interdisciplinary, research-based projects by artists Beatriz Jaramillo and Maru Garcia about the long-standing reservoirs of industrial pollution in two communities of color near the institution’s studios.


• World Without End (California African American Museum), an examination of the legacy of Dr. George Washington Carver—an public proponent of sustainable organic agriculture and a practicing artist—and the impact of his thinking on contemporary artists.


• Carolina Caycedo (Vincent Price Art Museum), an exhibition of the artist’s collaborative work with scientists, engineers, and local communities across the Americas to envision equitable and sustainable water use.


Projects focused on climate change include:
• Ice Age Field Site (Working Title) (La Brea Tar Pits), featuring an installation by artist Mark Dion that uses the museum’s ongoing paleontological excavations and Ice Age specimens to connect climate change in the Los Angeles Basin 50,000 years ago to climate change today.


• Breath(e) (The Hammer), bringing together contemporary artists with environmental scientists, atmospheric chemists, social justice activists, architects, and designers to generate new ways of countering threats to our planetary lungs: earth’s oceans and forests.


• Olafur Eliasson (MOCA), a large-scale, interactive, commissioned installation at the museum’s Geffen Contemporary responding to the geography and ecology of Los Angeles, supported by examples of the artist’s past works including his Glacier Melt series (1999/2019).


Exhibitions that center Indigenous knowledge include:
• Cosmovisión Indígena (Santa Barbara City College), preserving and sharing traditional Mixtec and Zapotec dyeing and weaving technologies through a community-based laboratory and the production of new textile-based works.


• Indigenous Futures (Autry Museum), exploring the work of Native artists who use themes of Western science fiction to reinstate and celebrate Indigenous peoples and their traditions of environmental understanding and protection.


• Cultures of Corn (Fowler Museum at UCLA), exhibiting works spanning 8,000 years, from Olmec jade tools to contemporary art installations and performances, to synthesize research into the development and transmission of Indigenous knowledge about the cultivation of maize.


Exhibitions that feature global histories of science and art include:
• Cosmologies (LACMA), a major loan exhibition of artworks representing ancient systems of cosmology across the Americas, Egypt, China, India, sub-Saharan Africa and the Middle East— from the Neolithic period to the present.


• Wonders of Creation (San Diego Museum of Art), investigating the intersections between art and science in the Islamic world from the 7th century until now, centering on the 13th century cosmology of Zakariya ibn Muhammad al-Qazwini.


• Seeing for Yourself (The Huntington), investigating how artists and scientists have used visual media to make scientific research visible and understandable through new studies of the institution’s unparalleled collections of the history of science from the 16th century to the present.


Projects investigating technology and futurism include:
• The Rise of Cyberpunk and Digital Dystopias (Academy Museum of Motion Pictures), tracing the scientific, technological, and cultural developments behind movies such as Blade Runner, Akira, and The Matrix, as well as under-recognized cyberpunk films from Africa, Southeast Asia, and Latin America.



• Invisibility: Powers and Perils (Skirball Cultural Center), revealing themes of dematerialization, social marginalization, and surveillance in 21st century science and technology, featuring research scientists such as Joy Buolamwini of the Algorithmic Justice League.


• Planet City (Southern California Institute of Architecture), using an architectural installation (designed by movie modelers and visual effects artists) and an interactive video game to imagine a world in which all 7 billion humans live in a single, environmentally sustainable megacity, leaving the rest of the planet to revert to wilderness.


Other major themes include medicine and the body, the science and technology of architecture and design, scientific imaging techniques, and digital surveillance and artificial intelligence.

About Pacific Standard Time:
Pacific Standard Time is an unprecedented series of collaborations among institutions across Southern California. In each, organizations simultaneously present research-based exhibitions and programs that explore and illuminate a significant theme in the region’s cultural history.


In Pacific Standard Time: Art in L.A. 1945–1980, more than 60 cultural institutions joined forces between October 2011 and March 2012 and rewrote the history of the birth and impact of the L.A. art scene. In Pacific Standard Time: LA/LA, presented from September 2017 through January 2018, more than 70 institutions collaborated on a paradigm-shifting examination of Latin American and Latinx art, seen together as a hemispheric continuum.




Pacific Standard Time is an initiative of the Getty

45 SOUTHERN CALIFORNIA ORGANIZATIONS RECEIVE OVER $5 MILLION FOR THE NEXT PACIFIC STANDARD TIME

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