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Self-Help Graphics P1 Signature Image - Sinks

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Self Help Graphics & Art presented at Luckman Gallery at Cal State LA

The Environment

Campus-Based

Sinks: Places We Call Home

Ozomatli.

Raul Pacheco & Ulises Bella of Ozomatli

Ozomatli

Raul Pacheco.

<ul><li dir="ltr">Favorite place to eat in SoCal: I like fancy shit. [laughs] <a href="https://baveldtla.com" target="_blank" rel="noreferrer noopener">Bavel</a> downtown. I like their rack of lamb. </li><li dir="ltr">Best kept SoCal secret: <a href="https://www.visitpasadena.com/things-to-do/outdoor-wellness/how-to-explore-the-arroyo-seco/" target="_blank" rel="noreferrer noopener">The Arroyo Seco Trail</a>. It’s off the 110 and it just feels like you’re nowhere along the city. I go running there. It’s a peaceful place. It goes up to the Rose Bowl and by bike or walking you can take it all the way down to the LA River. </li><li dir="ltr">I love SoCal because...every part of the world is here. </li><li dir="ltr">Follow Ozomatli on Instagram at <a href="https://www.instagram.com/ozomatli/" target="_blank" rel="noreferrer noopener">@ozomatli</a> </li><li dir="ltr">Listen to Raul's playlist on <a href="https://open.spotify.com/playlist/60EAqnFmrW2mYy6usm5UNb?si=dad7fc36fa6a48b3" target="_blank" rel="noreferrer noopener">Spotify</a></li></ul>

Raul's Quick Fire SoCal Questions

Raul:  Self Help Graphics & Art

CHECK OUT A GRAPHIC ART ICON Start with an exhibit that connects to Ozomatli’s community-based, activism roots. In <a href="https://pst.art/en/exhibitions/sinks-places-we-call-home" target="_blank" rel="noreferrer noopener">Sinks: Places We Call Home</a> presented by Self Help Graphics &amp; Art at Luckman Galleries at Cal State, artists Maru García and Beatriz Jaramillo highlight how communities of color are hardest hit by environmental injustice, specifically water toxicity. The artists illuminate the inequalities through their data-driven research and personal stories from affected neighborhoods. The presenting partner <a href="https://www.selfhelpgraphics.com/" target="_blank" rel="noreferrer noopener">Self Help Graphics &amp; Art </a>is significant. “It’s a really important place,” says Pacheco, “part of a claiming of a cultural narrative that was more homegrown. The tradition of graphic poster art is one that, particularly in Mexican culture, goes all the way back to Posada, an artist during the early part of the 20th century in Mexico. He used to make these kinds of figures on woodblocks, woodblock printing with big headlines. They're almost sensationalistic. But that artwork was used for huge flyers about events, or topics of the day. The tradition continued all the way into the 60s, the heyday of the Chicano movement. And Self Help became a place where all these local artists learned how to do that art, but also were able to use it for gathering, like the walkouts… artists could print posters themselves, learn that craft, and those became the flyers for everyone. Today, Self Help is recognized as a world class graphic print shop. People from all over the world come to train there; their archives are immense. They document a lot of local artistry and world artistry from the 60s into today.” [Editor's note: Self Help Graphics &amp; Art are currently undergoing building renovation which is why their exhibition is being presented at CalState.]

Raul: Hollenbeck Park

Raul: 6th Street Bridge

HONOR WHAT WAS AND COULD BE
Self Help Graphics &amp; Art is based in Boyle Heights. The neighborhood is also home to  <a href="https://www.laparks.org/park/hollenbeck" target="_blank" rel="noreferrer noopener">Hollenbeck Park</a>, a beautiful site that Pacheco feels is overlooked. “A place like Hollenbeck Park is really kind of fascinating because Boyle Heights was a wealthy neighborhood in the early part of the 20th century,” he explains. “Before and into the 50s, if you were a certain race, you couldn’t buy property in certain parts of the city. But Boyle Heights was an open covenant area, so it was very mixed—Jewish, Japanese, African American, Italian. It primarily became Mexican American after World War II. One of the things that happened is that because the land was valued less, I suppose, they were able to build five freeways there. So you have what are the remnants of these beautiful places. And one that sits in the middle of all these freeways is Hollenbeck Park. It's still very beautiful, and you can imagine what it was like before. And there's something kind of magical about it, right under the freeway. To me, it’s a testament to what was and what still could be, and the existing beauty that it is all on its own.”
Pacheco has also always valued the bridges of LA in part because they can represent, in one architectural moment, both the separating and also the joining of different political and cultural communities. “It’s just a short ride over a bridge, and you're in a different realm,” he says. “One thing I try to [emphasize to people] is, like, those differences are actually good, they’re what make LA special, you know? I think what's unique about, quote unquote, the East Side of LA is that there is a long enough tradition there, a unified Chicano, Mexican American, Latino paradigm and that tradition still exists, and it's something for people to learn about and experience. The <a href="https://engineering.lacity.gov/about-us/major-projects/sixth-street-viaduct-replacement-project" target="_blank" rel="noreferrer noopener">6th Street bridge</a> is maybe my favorite because it really represents the complexity of Los Angeles. [When they were rebuilding it], it cost like three times as much as it was supposed to. So there’s the political dynamic of money. And then they had to scale some things back. So the bridge is finished finally, and people start driving on it. [Editor’s Note: The bridge opened to the public in July 2022.] There’s this whole social thing going on, representing the different ways people use their public space, and how it belongs to people or how it doesn't. And the bridge isn’t lit right now because someone stole all the copper wiring… Will it ever be perfect? I don't know. But I don't look at these things as negative. I look at them as reality, like, this is where we’re at. And how do we start to create value that's bigger than ourselves in our own communities? So I see the bridge as this beautiful attempt to, like, connect, and it's a beautiful piece of art. I love driving over it. And I hope that it's a symbol of how LA and maybe even the world can keep trying to have shared spaces that serve us all. It's worth trying, you know? That's how I feel.”

Boyle Heights

Raul: Ulises Bella

HEAR GREAT MUSIC “Before my mom passed away, I used to take her to <a href="https://www.olvera-street.com" target="_blank" rel="noreferrer noopener">Olvera Street</a> on the weekends,” says Bella. “They have a rotation of DJs and they play great music and everybody just dances, right? It’s super cool. I always loved taking my mom because she was already wheelchair bound, but she loved to watch people have fun. There are all these characters there, all these regulars who show up every week to get their boogie on. It’s great because we’re all connected in that, for lack of a better word, primitive style, like, ‘Let's get together and dance, let's enjoy this moment together.’ So I’d take my mom and sometimes my dad too and we’d just sit there and vibe on the music and the crowd. There's this one little old man who just gets down. He's, like, pouring sweat, but no one can stop him, you know? And it's sh** like that…I love it.”

Olvera Street

Ozomatli: Plaza de la Raza

EXPAND YOUR PERSPECTIVE The cultural center <a href="http://www.plazadelaraza.org" target="_blank" rel="noreferrer noopener">Plaza de la Raza</a> in Lincoln Park is the next stop. “The park was a location of what was known as the walkouts in the 60s,” explains Pacheco. “It was the hub of the student Chicano movement. So high school students were walking out of their schools during the height of the Vietnam War, reacting to the disparity between poor people being drafted as opposed to wealthier people, and also to the disparity of what was being taught in their schools, more shop classes, less math or English classes. Lincoln Park was one of the places where the students convened. So you'd have a thousand people meeting, having these discussions, and what came out of that was this cultural hub. Today, it’s an established center with many functions: They offer classes in a wide range of things from acting to writing to painting. There’s a gallery. They’re in line with whatever the cultural traditions are of the community, as well as other general topics that young people might be interested in, like they've had skateboarding events. It’s a well rounded representation.”

Plaza de la Raza

Raul: Estrada Courts

Raul: Mariscos Quatro Vientos

VISIT HISTORIC MURALS
Next up on the tour is <a href="https://www.laconservancy.org/learn/historic-places/estrada-courts/" target="_blank" rel="noreferrer noopener">Estrada Courts</a>, a public housing complex, where in the 1970s a series of powerful murals were painted, part of the Chicano Civil Rights Movement. “The whole mural tradition is a big thing in East LA and in Latin America in general,” says Bella, “so that’s a pretty cool and significant place as far as art and history are concerned.” Right near Estrada Courts is <a href="https://www.instagram.com/mariscos4vientos/?hl=en" target="_blank" rel="noreferrer noopener">Mariscos Quatro Vientos</a>, a restaurant that makes some of Bella’s favorite tacos. “You can actually see some of the murals from outside the restaurant,” he says. “They have this shrimp taco. It's award winning. They put mint in and deep fry it, and then they cover it with avocado and salsa. It's so good.”

Estrada Courts

We Place Life at the Center / Situamos La Vida en El Centro

VPAM #3

EXPLORE AN EXHIBIT In the Vincent Price Art Museum at East LA College, you’ll find <a href="https://pst.art/en/exhibitions/we-place-life-at-the-center-situamos-la-vida-en-el-centro" target="_blank" rel="noreferrer noopener">We Place Life at the Center</a>, an multi-disciplinary exhibition featuring artist Carolina Caycedo. Born in LA to Colombian parents, Caycedo’s work is rooted in environmental research and environmental justice and her exhibition includes educational outreach to East LÀ school communities.

Raul: La Casita Mexicana

FINISH WITH AN AMAZING MEAL Bella recommends two more restaurants, both in the Bell and Maywood neighborhoods, not far from where he grew up. The first is <a href="https://casitamex.com" target="_blank" rel="noreferrer noopener">La Casita Mexicana</a>, helmed by chefs Jaime Martín Del Campo and Ramiro Arvizu. “Their big claim to fame was that they beat Bobby Flay on his show, [Throwdown with Bobby Flay],” laughs Bella. “It was that thing where Bobby Flay shows up and tries to outdo you at your own dish. Oh, these guys were like, ‘Nah.’ And they beat him. So that's a great restaurant. There’s also <a href="http://rociosmexicankitchen.mymobisite.us" target="_blank" rel="noreferrer noopener">Rocio's Mexican Kitchen</a> in Maywood, one of the few restaurants here in the hood that has a Michelin star. Rocio’s has amazing mole.”