In 1967, Caltech poet-in-residence Richard Brautigan imagined a coming future “where mammals and computers/ live together in mutually / programming harmony.” Borrowing its title from Brautigan’s poem, All Watched Over by Machines of Loving Grace addresses one of the most pressing issues of our time—the impact of artificial intelligence—by proposing alternative directions for its future and the definition of what it means to be human. Presenting a broad range of multidisciplinary art forms, including visual art and performance, the project looks to new models of AI proposed by BIPOC, feminist, non-western, and non-binary systems of thought. How can these innovative and diverse conceptions of technology and intelligence reclaim AI’s potential? All Watched Over by Machines of Loving Grace expands public understanding of artificial intelligence by delving into the pressing questions it presents across underrepresented communities, exploring how technology alters the understanding of the human and nonhuman connection, and investigating its potential as a liberative tool.